Olympus has introduced two new premium M.ZUIKO Digital PRO lenses: the M.ZUIKO Digital ED 7-14mm f2.8 PRO lens (an ultra-wide-angle zoom with a 35mm equivalent focal length of 14-28mm) and the M.ZUIKO Digital ED 8mm Fisheye PRO lens, (f/1.8 aperture, with a minimum working distance of just 2.5cm).
The M.ZUIKO Digital ED 7-14mm f2.8 PRO is ideal for wide-angle shooting in any weather condition. It includes weather sealing in 11 locations, enabling use in rain and snow or even on the beach—facing the hazards of ocean spray and dust. At just under 19 ounces, the M.ZUIKO Digital ED 7-14mm f2.8 PRO is about 45 percent lighter than similar lenses.
Canon made some unexpected lens news overnight: the company introduced the lightweight and compact Canon EF 50mm f/1.8 STM standard lens. This fixed focal length lens is designed for advanced amateur photographers and has an effective focal length of 80mm when paired with an APS-C sensor-based EOS camera such as the Canon Rebel T6i.
I’ve been writing about and playing with—emphasis on play—Lensbaby lenses since they were introduced in 2004 and ten years later they’re still coming up with new ideas. All their products, including the Medium Format 3G with "Marvin the Martian"-like antennae, have been interesting and the new Lensbaby Velvet 56 portrait lens not only looks like fun but appears to be the most practical Lensbaby product ever.
The reality is you can make portraits using any lens but most photographers will tell you the ideal portrait lens has a focal length in the range of 85-135mm. The first dedicated portrait lens was the 150mm f/3.3 Petzval developed in 1840, which had a 30-degree angle of view and was considerably faster than lenses of the period. It was so legendary that Lomography recently produced a new version for Canon EF- and Nikon F-mount cameras that costs $599.
Lomo introduced the retro-style but new Lomo LC-A Minitar-1 Art Lens this morning. This unique lens features the original optics from the Lomo LC-A and is compatible with many analogue and digital cameras.
Massive, exotic telephoto lenses are always fun to imagine shooting with and here’s one giant piece of glass that’s actually designed to capture rockets launches. According to the seller on eBay, the Jonel 100 2540mm F/8 Mirror Lens was used for capturing Saturn V and other similar rockets as they were launched into space.
Sony just announced two new Zeiss zoom lenses for its A-mount camera system: the Vario-Sonnar T* 24-70mm F2.8 ZA SSM II (model SAL2470Z2) standard zoom and Vario-Sonnar T* 16-35mm F2.8 ZA SSM II (model SAL1635Z2) wide angle zoom lenses.
Zeiss just launched the Batis 2/25 and 1.8/85 lenses, which are are the first full-frame autofocus lenses with an OLED display for Sony's mirrorless E-mount A7 camera series.
Fujifilm just introduced the new Fujinon XF16mm F1.4 R WR, a weather-resistant, fixed focal length lens (24mm in 35mm format equivalent) for its X-series mirrorless cameras. The F1.4 maximum aperture in the XF16mm is designed to provide high image quality in low-light conditions, and beautiful bokeh-rich macro photography with a minimum working distance of less than six inches for a variety of shooting possibilities.
In the market for a new Canon lens? Now could be a good time to buy. Canon announced yesterday it has slashed the prices on 33 of its high-end EF L series lenses.
Some photo assignments require you to bring out the big guns. And when it comes to digital photography, there are few bigger guns than medium format systems. More digital SLR users have been making the jump to medium format now that several new models are equipped with CMOS sensors that can capture relatively low-noise images at high ISOs, shoot photos more quickly, and capture HD and even 4K video. Combine these handy features with the massive amount of resolution and extremely high image quality you get from the huge imaging chips in medium format camera systems, and there’s no better time to go big. Here’s a look at the latest cameras and lenses from five major medium format brands.
Lensbaby recently introduced the latest addition to its unique line of creative lenses. The new Velvet 56 is a 56mm f/1.6 lens for DSLRs and mirrorless cameras. It's a classic portrait lens with 1:2 macro capabilities designed to deliver "a velvety, glowing, ethereal look at brighter apertures," according Lensbaby, and sharp (but subtly unique) images as you stop down.
Rokinon & Samyang just introduced two new high-end lenses: a 100mm F/2.8 Macro and the new Cine DS 135mm T3.1 Macro. (The Korea-based Samyang company owns the Rokinon brand.)
Have you shot some great photos? Well, now’s the time to enter them in our brand new photo contest where you’ll have the chance to win two amazing prizes!