Staff

Staff  |  Oct 03, 2014
Our Picture This! assignment this month was Rich and Color-Full, and we asked readers to submit images that displayed an intense play of richly endowed images, with vividness married to content and that also showed how photographers see and interpret our many-hued world. Readers responded with everything from natural to man-made subjects. While we accepted some “juicing” using hue and saturation controls, we tried to pick those that did not stray too far from what the eye and camera could record.
Staff  |  Jul 22, 2014  |  First Published: Jun 01, 2014
This month’s Picture This! assignment was the “Power of B&W” and we were thrilled by the many and varied images we received. Clearly there is a love and appreciation of monochrome photography, and we saw images that ranged from portraits to abstracts to intense studies of line, form, and tonality. Perhaps the most intriguing aspect of black and white is the ability to interpret the image through contrast and tonal manipulations (even constrained HDR) without verging into the kinds of tricks to which color seems more prone, all while maintaining a certain photographic “credibility.”
Staff  |  Jul 01, 2014  |  First Published: May 01, 2014
Our Picture This! assignment this month was Night Light, and readers sent in a wide variety of images from places around the world. The great photo ops of night lead to some unusual images: those made with long shutter speeds and high ISO settings to capture the often dim light; those that show a combination of still and motion, some subject and some photographer produced; and most of all the way photography allows us to see “into” the night in a way that no human eye can.
Staff  |  May 27, 2014  |  First Published: Apr 01, 2014
This month’s Picture This! assignment was Still & Motion, the premise being that photography can capture what the naked eye can’t see—motion within a “still” image. Steady hands or a tripod, a slow shutter speed, and a sense of visual juxtaposition were key. It’s all about the physics that only a camera can reveal. Readers sent in a wide variety of images ranging from cityscapes to sports to a casual passing of a moving subject, all showing us an abstraction of our usual perception of time and space.
Staff  |  Apr 25, 2014  |  First Published: Mar 01, 2014
Our Picture This! assignment this month was “Architecture/Composition,” and we were seeking compositions that created an abstract from the entire form. These details often echo the overall design sense of the building itself, but also create an interesting composition in their own right. Readers sent in a wide variety of images that honed in on the play of shadow and light in building interiors and exteriors, with quite a few more than usual in black and white.
Staff  |  Apr 01, 2014  |  First Published: Feb 01, 2014
Ian Coble had purchased a waterproof housing for his camera earlier in the summer, and after a photo trip to Hawaii wanted to get back into the water for more shooting. So he called his friend Ben Rhodea, an expert stand-up paddleboarder, and they met up at nearby Elliott Bay, outside Seattle, Washington.
Staff  |  Mar 28, 2014  |  First Published: Feb 01, 2014
Our Picture This! assignment this month was Twilight Time, the moments when the light of the rising or setting sun creates a magical light that is the delight of all photographers. Readers sent in a preponderance of nature and scenic images and each shows the beauty that only natural (and directional) light can deliver.
Staff  |  Feb 27, 2014  |  First Published: Jan 01, 2014
Our Picture This! assignment this month was Stacking, the lingo used to describe the optical effect that makes subjects at some distance from one another seem closely packed together through the use of a telephoto lens. But given the right point of view and arrangement of forms, some readers also sent us successful shots taken with “normal” focal lengths as well. We received a wide range of subjects, from ancient towns to nature studies, all with apt points of view and good application of technique. It all goes to show us that there are simply some images that can’t be mocked up after the fact and that there remain many ways to create an effective image in camera via composition, the proper lens, and a good understanding of exposure control. In that we can all still take heart.
Staff  |  Jan 31, 2014  |  First Published: Dec 01, 2013
The light wasn’t right on the day John Conn saw the scene, so he came back the next day at a time when the shadows would work in his favor. Then he waited. The geometry of the legs of a trousered figure striding by was distracting. “I really wanted a woman because they usually dress in lighter, more colorful clothing,” John says, “and I needed a more solid form, with more of a flow. And she had to be the right height, too.” His next opportunity was a bicyclist…who veered away from the perfect spot, spoiling the alignment. Then a woman came by and John took the photograph you see here.
Staff  |  Jan 21, 2014  |  First Published: Feb 01, 2014
In this month’s issue we feature black-and-white photography in all its power and glory with portfolios of portraiture, location, and street photography. We also hone in on a series of tests covering dynamic new cameras from Canon and Panasonic, a look at a B&W-focused inkjet paper, and an exciting close-up lens from Tamron.

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