Jack Neubart

For many of us, capturing what’s directly in front of the lens is our primary concern. We’re focused on reality. Some of us, however, like to step outside the box, to be inventive and let our imaginations soar. That, in a nutshell, describes the photography of Cade Martin. Martin isn’t satisfied with simply capturing moments in time, in finite space. He prefers to warp time and space, to enter his own dimension. And that quality in his work is what draws clients to him.

Jill Freedman is not one of those names that readily rolls off the tongue when we discuss documentary photography. But it should be. Her documentary photographs are as real, as telling, as poignant as it gets. They are moments captured in a style all her own, albeit with the same measure of truth as a Dorothea Lange portrait of life during the Great Depression.

Tom Oldham has been shooting portraits for 20 years and is today widely known for his expertise in medium format photography, notably with Hasselblad camera systems. He began his freelance career at the age of 29, having worked as a technician at the Plymouth College of Art for a few years after completing his studies there.

If we could describe Steve Bronstein’s trademark shooting style it would be: keep it real and keep it small. Bronstein is a wizard at breathing life into miniature sets and adding an air of believability to each one.
His mastery of perspective and scale is only a small part of that. He also knows how to make his lighting work for him to deliver one-of-a-kind masterpieces. And he has the most talented people working with him to ensure that each step in a project is taken on the surest footing.