Jay McCabe

Jay McCabe  |  Oct 23, 2015

Last year, as a freshman, Amanda Haycook found herself taking pictures of buildings. “It wasn’t a conscious decision at first,” she says, “it was just like my eye kept going there.” Not so with others on the streets: “Living in New York I noticed that people don’t look up, and I just started noticing things that people weren’t paying attention to.”

Jay McCabe  |  Feb 10, 2015

“You can’t shoot the same thing all the time,” Sammuel Lopez-Licea says in response to our comment about the variety of subjects he chooses for his photos. The choosing is pretty much the easy part: many things catch his eye. What’s equally creative and most interesting to him is deciding how he wants to depict those interests—how he’ll use composition, framing, motion, light, and color, or how he’ll take color away in post-processing.

Jay McCabe  |  Jan 12, 2015
Chloe Margulis, who graduated in June, took film photography in her sophomore year, learning to develop and print her images, then moved on to digital in two years of AP courses. “I chose film photography because you don’t get that kind of opportunity too often,” she says. Her introduction to photography came from her father and his cameras, with school contributing experience and the opportunity for further exploration.
Jay McCabe  |  Jul 25, 2014  |  First Published: Jun 01, 2014

From the photos that Ben sent us prior to his graduation from Appalachian State with a degree in commercial photography, we were not surprised to learn that he grew up wanting to be a film director. “It was a big dream from the time I was a little kid,” he says. But when he got into photography, he found the still image had its own esthetic attractions, and practical advantages. “I can get my models to places I wouldn’t be able to get a film crew to,” Ben says, “and I’m able to create images that are visually more appealing than anything I can do on film right now.”

Jay McCabe  |  Jun 12, 2014  |  First Published: Apr 01, 2014

To photograph the wild horses of the Outer Banks of North Carolina you have to deal with the fact that they are indeed wild and thus not particularly welcoming of a photographer’s attention.
But first you have to deal with the Outer Banks, a 200-mile stretch of barrier islands off the coast of North Carolina. “It’s important to have an awareness of time, tide, and weather,” Lisa Cueman says of the location. “You can get into your photography, but not so much that you lose a sense of your surroundings.”

Jay McCabe  |  Jun 10, 2014  |  First Published: Apr 01, 2014
The first thing that caught our eye about Nicole’s photos was the mix of grit and glamour in the selections she sent. We assumed these photos were part of class assignments, but we learned they were actually personal and professional images, as Nicole, a junior at Dysart High School, has had “a little business going on” for about three years, a business that includes senior portraits among other assignments.
Jay McCabe  |  Dec 24, 2013  |  First Published: Nov 01, 2013
Rebecca is a senior at ASU and will graduate in December with a degree in technical photography. She came to the university intending to study graphic design, but when she couldn’t get into that program she switched to photography. It was a good move, as her interest in and love of photography grew from her first class, and today she cannot imagine doing anything else.
Jay McCabe  |  Dec 03, 2013  |  First Published: Oct 01, 2013
Early this year I received an e-mail from Cheryl Zibisky, adjunct professor in technical photography at Appalachian State University in Boone, North Carolina. She wrote to recommend a student for our Student Union column. Cheryl’s name was familiar, and a quick search of the hard drive revealed why: she was our Student Union subject in the October, 2001, issue.
Jay McCabe  |  Apr 26, 2013  |  First Published: Mar 01, 2013
Joseph L. Koch
We liked Joseph’s work right away, but when we found out that he took these photos in his kitchen, we were even more impressed. “The school has a full studio,” Joseph says, “but there are 2000 students, and booking studio time when I work full-time is difficult.” A home studio setup for product-related assignments turned out to be an ideal solution.

Joseph’s job is in retail, and upon graduation this March he’ll be working toward an art director position with a major corporation, a position that he feels will allow him to showcase his photo talents and creative eye. “The fascination is to come up with a concept and then implement it, to express an idea in powerful imagery.”

Jay McCabe  |  Mar 15, 2013  |  First Published: Feb 01, 2013

Bill Pekala, head of Nikon Professional Services, came to the US Open at the Billie Jean King National Tennis Center in Flushing, New York, last August to run the NPS operation at the matches. Sports events can be the ultimate proving ground for camera gear, and one of NPS’s primary roles is providing their member professional photographers with the assurance of dedicated on-site support.

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