Lens News

Professional photographers live by their lenses—they know they’re one of the keys to capturing high-quality images. That’s why they often spend thousands of dollars for a lens that’s optimized for their type of shooting, or gives them an edge over their competitors. But is it possible for serious photo enthusiasts without deep pockets or a business write-off to acquire lenses that deliver professional caliber imaging performance for a lot less money?

It’s been awhile since we’ve featured the work of French landscape pro Serge Ramelli, and this new tutorial is a good one. In just 12 minutes Ramelli demonstrates three Lightroom techniques for correcting photos with lens distortion and skewed perspective.

Another year has come and gone, which means it’s time for Shutterbug to once again pick our favorite cameras and lenses of the past 12 months. With so much great photo gear to choose from in 2017, it was a difficult task. The below list though is a good summation of the cameras and lenses Shutterbug’s editors and writers most enjoyed shooting with last year.

We’re all familiar with the notion that lenses in the 85-105mm range are the best choices for portrait photography, supposedly because of the “natural” way they render a subject’s facial features. But in the video below, you’ll see why one pro prefers to use a longer telephoto zoom for portraiture. 

There’s been a growing trend among digital photographers to use vintage lenses on modern mirrorless cameras. Why would you want to do that? Among other reasons is that old manual focus lenses often sell for a fraction of the cost of their current autofocus counterparts, and the necessary adapters are both abundant and affordable.

High-performance zoom lenses with fast maximum apertures are powerful tools for everyday shooting, and in this battle of the mid-range zooms, you’ll see a comparison between two of the best: The Canon 24-70mm f/2.8L II USM, and Sigma’s 24-70mm f/2.8 DG OS HSM Art.

The best of the best photo gear, according to us.