Every so often one of our favorite instructors surprises us with a concept that really makes sense for capturing landscape scenes with maximum impact. And that’s exactly what you’ll find in the quick tutorial below, as Romanian pro Toma Bonciu demonstrates what he means by “layering” a scene from foreground to background.
We’ve all been there: You plan an excursion to a beautiful location, pack your gear, and hit the road in plenty of time to get there for perfect light. When you arrive, however, you confront flat, boring skies.
We’re all familiar with the notion that the best time to shoot landscapes is early during Blue Hour or late in the day at Golden Hour. But what if you get the photography itch in the middle of a summer’s day?
All photographers strive for a creative edge that makes shooting more fun and convenient while delivering images that stand out from the crowd. And there are several affordable accessories that will help you do all that—particularly when shooting travel and nature photos.
Do you avoid using Lightroom’s powerful Tone Curves because you find them confusing or difficult to use? Well those days are over thanks to the simple tutorial below from Danish travel photographer Alex Bjorstorp.
Widely regarded as the father of Canadian photojournalism, Ted Grant is also the father of one of our favorite quotes: “When you photograph people in color, you photograph their clothes. But when you photograph people in b&w, you photograph their souls.”
Ask any experienced landscape photographer to identify the most important tool in his bag, and the answer is likely to be, “My ND filter.” Or more accurately, “My set of ND filters.”
When professional landscape photographer Ian Plant says there are “five photo accessories I never leave home without,” we stop and pay attention. That’s because of his unique approach to shooting in the field.
One of the most difficult challenges when photographing landscapes is balancing the wide range of tones from deep shadows to bright highlights that often occur in outdoor scenes. In fact, sometimes the density range is so great that’s it’s impossible to precisely exposure the image.
Most of my columns for this website concern the ideas and purposes behind the photographs I take. I always include information about the technology used to achieve the photos, which could be as basic as the f/stop chosen to direct your attention, or the use of a ND filter to make a long exposure possible. That approach is not incidental or coincidental; the stories are planned along those lines because my ideas come first, and technology’s purpose is to support those ideas.
Let’s face it: Most of us are passionate about gear, and we regularly update our equipment. The medical term for this affliction is Gear Acquisition Syndrome—commonly known as G.A.S.
The great thing about cityscape photography is that when you run out of ideas, there’s always a city or town nearby. By following the straightforward advice below, you’ll be able to capture “perfect” photos wherever you live.
Given a choice, most outdoor photographers prefer to shoot at the beginning or end of the day. At Blue Hour, just before sunrise, the landscape is bathed in soft, cool tones, while at Golden Hour, just after sunset, beautiful warm tones prevail.
If you’re a regular visitor to our website you know we frequently post shooting and editing tutorials from German landscape photographer Christian Mohrle. In the quick-and-easy episode below you’ll see how Lightroom’s Masking tools play a big part in his beautiful imagery.
We’ve all marveled at long-exposure landscape photos with soft feather-like clouds and cotton-candy water. The challenge when shooting during the day, is that light levels are usually too high to permit using the slow shutter speeds necessary,