Outdoor Photography How To

Conventional wide-angle lenses are usually the weapons of choice when shooting landscape photos and other expansive vistas. The more specialized ultrawide options are less well understood and require a different approach for optimum results.

It's usually pretty easy to find a beautiful landscape scene while traveling through the backcounty, but it can be far more challenging to translate what you see in the viewfinder to an exceptional image. In this episode from one of our favorite young outdoor photographers you'll learn four shooting and editing tips that anyone can accomplish with ease.

Here's a tutorial from one of the world foremost post-processing experts who demonstrates how easy it is to use Photo Merge in Lightroom Classic to combine bracketed exposures into a High Dynamic Range (HDR) DNG file that contains all of the quality and flexibility of a Raw file. If you've avoided this editing method, thinking it was beyond your skills, that's going to change in the next six minutes.

This tutorial from the popular Photoshop Café YouTube channel begins with a blunt question: "Do your Photoshop masks suck?" If this problem is a regular occurrence, the following tutorial will set you free in less than nine minutes.

Just about all Lightroom users know that the software includes a variety of timesaving presets for creating numerous effects and quickly dupicating specific edits you made in the past. In addition to the built-in presets there are others you can download at nominal cost, and even create some of your own.

The Color Wheel is a simple but oft-ignored tool that that enables photographers to visualize the interplay between various tones and how be they can be combined to increase the impact of an image. If you don't understand this important concept and how it works, today's video will get you up to speed.

There are numerous reasons why experienced landscape photographers avoid shooting wide open and prefer stopping down the aperture to f/8 or f/11— even if that means bumping up the ISO setting. So why does a German landscape pro advocate for faster glass when he rarely shoots at maximum aperture?