Outdoor Photography How To

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Blaine Harrington  |  Feb 23, 2016  | 

I travel to take pictures, but sometimes I just happen to be in an interesting area, like last spring in Lexington, Kentucky. Let’s see: Lexington, horse country, the Keeneland racetrack nearby, and me never without my camera gear. Photography was bound to happen.

Josh Miller  |  Feb 12, 2016  | 

While everyone’s definition of “extreme” is a little different, the one thing that can be said of extreme outdoor photography is it involves leaving the car far behind and dealing with whatever difficulties present themselves without running for cover. To help get you ready for your next extreme shoot, here are my seven most important tools for working in the wild under tough conditions.

Jon Sienkiewicz  |  Feb 12, 2016  | 

I get ’em. You probably get ’em too. Those feelings of photographic futility when the sky and the ground and your car and your imagination are all the same dim shade of dirty, dingy gray, and there’s really no point to stepping outside to take photographs. How do you beat the bad weather doldrums? Here are a few ideas. 

Staff  |  Feb 05, 2016  | 

We love outdoor photography but we like it even better when there’s some element of the “extreme” involved. Yes, extreme is tough to define but for this assignment we were looking for images of dizzying mountaintops shot from harrowing angles, exploding volcanoes, dangling ice climbers, kayakers barreling through rapids, or stunning displays of weather. We didn’t get all of those things but we did get some amazing images from Shutterbug readers. Check out our favorite 10 outdoor images that made us see the awesomeness and danger of nature in the extreme.

Barry Tanenbaum  |  Feb 02, 2016  | 

We were going over the photos for this story when photographer Lucas Gilman said something I didn’t entirely agree with. He was talking about making an image in which a bird came into the frame just as a surfer was making his move on a wave. “Cameras are so good now, anybody can take the exact same pictures I can,” he said, “so what I do is look for and take advantage of subtleties that others overlook. That way I separate myself from everyone else who can buy a new camera and make great pictures.”

Chuck Graham  |  Jan 29, 2016  | 

In terms of extreme locations, you can’t pick a place much more remote than the Falkland Islands. Located 300 miles off the tip of Argentina in the South Atlantic Ocean, the Falkland Islands consists of two main isles—East and West Falkland Islands, plus 776 smaller islets, covering 4,700 square miles.

Jack Neubart  |  Jan 29, 2016  | 

Scott Serfas is one photographer who likes to get in on the action. In fact, he thrives on it. There is a certain amount of serendipity involved, but there is also a certain amount of passive control, in the sense that Serfas knows what to expect and expects the unexpected.

Jon Sienkiewicz  |  Jan 29, 2016  | 

What’s the difference between water resistant and splashproof? Do weatherproof, waterproof and moisture resistant all mean the same thing? And what the heck does an IP56 rating mean? When it comes to mixing camera equipment with water, what you don’t know can hurt you—and could cost you dearly. 

Barry Tanenbaum  |  Jan 26, 2016  | 

The scene is often just the starting point of a Deborah Sandidge photograph. “It’s visualization,” she says. “I’m looking at a scene and imagining what’s going to happen over time.” What was going to happen at the San Antonio, Texas, River Walk was the continuing passage of the water taxis. Sandidge knew they were the key to an expressive, dramatic photograph, one that would get as close as possible to picturing the passage of time.

Staff  |  Jan 22, 2016  | 

Adventure photographer Jimmy Chin captured this incredible image of celebrated American climber Dean Potter highlining over Yosemite Falls in Yosemite, California, in 2010.

Jon Sienkiewicz  |  Jan 22, 2016  | 

Winter Storm Jonas is bearing down on our nation’s capitol and threatening to bury DC, Philly and maybe even New York City in snow this weekend. In fact, if you live anywhere east of Oklahoma, you’re probably charging batteries, restocking the liquor cabinet and laying in a good supply of unhealthy snacks that you can justify eating only during a weather emergency. But how do you plan to protect your camera when you venture out to capture the storm? Here are a few options. 

Barry Tanenbaum  |  Jan 12, 2016  | 

Midway in my talk with Daryl Hawk about his travel photography, he mentioned that it was relatively easy for him to approach people and get their okays for impromptu portrait sessions. “I’m polite, I know something of their culture, and I spend time with them,” he said. Then he added, “And I speak a universal language.”

Staff  |  Jan 05, 2016  | 

Shutterbug reader Yvonne Baur captured this colorful image near “The Subway,” a uniquely shaped slot canyon in Zion National Park in Utah. “This spot is right before you enter the actual Subway section of the hike and the only water you see is through this tiny crack in the sandstone,” Baur says.

Blaine Harrington  |  Dec 11, 2015  | 

It wasn’t long ago that I began to notice I had competition—and I’m not talking about other travel photographers.

Jon Sienkiewicz  |  Nov 10, 2015  | 

Long, long ago in a land far away, photo hobbyists often used yellow filters on their lenses when shooting black-and-white film. Monochrome film was a bit more sensitive to blue light back in those days, and that caused skies and clouds to blend and become an indistinguishable mess. For reasons we’ll see later, green filters were often used for portraits.

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