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So you photographed a gorgeous landscape scene with a great sky and beautiful colors throughout the frame, only to return home, view your "money shot" on the computer, and discover that the tones in the photo only vaguely resemble what you saw through the viewfinder.

Some of us miss out on great opportunities to capture images with maximum impact because we always shoot in color. One reason for this is that some scenes cry out loudly for a monochrome approach.

Ever since Photoshop introduced the beta version of their new AI-based Generative Fill capability there's been a heated debate about what this means for photographers and the craft as a whole. Some folks greeted the news with excitement as a remarkable innovation, while others unabashedly say it spells doom for everyone with a camera.

Leica just introduced the Leica Q3, the third generation Q, and Shutterbug was able to spend a fortnight with a production sample. Compared to its predecessor, nearly every major specification and feature has been enhanced—significantly. Not to tip our hand, but the Leica Q3 appears to be…

We've all captured bland landscape photos with unimpressive cool tones, and that's usually because the light just wasn't right. While it's often impossible to return on a better day, today's Lightroom tutorial explains a simple Lightroom technique for giving these images an eye-popping Golden Hour look.

If you're like most outdoor photographers you often shoot in dirty environments in which dust can enter your camera and wreak havoc on the sensor, especially on windy days. And every time you switch lenses the odds of contamination will increase.

ISO is a basic camera setting with a big impact on the photos you shoot when it comes to exposure, image quality, and other important variables. Unfortunately the simple concept is misunderstood and often results in images that don't meet expectations.