It appears our friends at Anthropics Technology are at it again! Not content with software that can practically take the face of Fido and turn it into Angelina Jolie using PortraitPro, the London-based company has introduced PortraitPro Body, an image editing program that can potentially transform that wimpy teenager down the block into Arnold Schwarzenegger in his prime, or add curves to any woman that would make a Kardashian green with envy.
If you find yourself in a rut and need some inspiration to boost creativity, you’ve come to the right place at the right time. That’s because in barely three minutes you’ll pick up several shooting and editing tips for making eye-popping photos at night.
Lightroom is a fantastic piece of software for editing and organizing your images. The only problem with it is that there's so much that this Adobe photography app can do, most photographers only end up using a small collection of its tools.
One of the easiest ways to capture that classic black and white look when shooting an IR- converted SLR is to shoot in Monochrome mode. If your camera doesn’t offer that option, you’ll have to convert the image into black and white after the fact. That may be the better of the 2 choices because that approach will give you more control over how the final image looks.
Whether you’re shooting indoors or out, photographs with drab colors can result from improper exposure settings, a dull, overcast day, and a variety of other factors. In the video below, you’ll see how to pump up the colors of any photo, using three simple Photoshop tricks.
Photographer and Photoshop expert Scott Kelby is back with another quick tips video for Shutterbug. In the below two-minute video, Kelby explains a simple way to clean up and control sliders in Lightroom.
If you’ve ever tried capturing the natural beauty of a waterfall, you know that it’s not an easy task: The soft white water you observed through the viewfinder often takes on an ugly electric blue cast when photographed.
It often takes considerable concentration to capture compelling images, and every so often we miss a distracting background element while focusing on our main subject. Other times we’re aware of the distraction, but make the shot anyway because there’s no way to recompose and avoid the problem.
Have you ever returned from a day in the field and uploaded dozens of images (or more) to your computer—only to find that you’re totally overwhelmed when it’s time to locate and edit the files? This common and frustrating occurrence can be easily solved forever by spending a few minutes organizing your Lightroom catalogs.
One of the basic rules of composition, that’s even familiar to most beginning photographers, is to avoid framing a shot so a tree, fence post or telephone pole appears to be emanating from a subject’s head. But what about those ugly power lines running across the sky, that seem to be everywhere we look?
A solid understanding of key camera settings is essential if you're serious about shooting impressive photographs instead of mere snapshots, and one of the most important considerations is whether to use the Raw file format or shoot Jpegs. As you'll see in the video below, the decision you make depends up a variety of factors—including the specific way you intend to use the images you make.
Making natural-looking photo composites used to be somewhat difficult and time consuming, even for those with advanced editing skills. But as Photoshop has evolved, this task has become quick and easy as you’ll see in the tutorial below.
One way to improve the overall “feel” of landscape photographs is to adjust white balance to achieve either a subtle or more dramatic effect. You can often do that by selecting the appropriate camera settings, or in the case of this tutorial, by making a few adjustments when processing an image.
We’ve been working through all the new capabilities of the latest Lightroom update, and today's tutorial from the Photoshop Café YouTube channel demonstrates a powerful new feature that is nothing short of "stunning." In less than eight minutes you see how the new Point Color tool works.
A telephone pole emanating from a subject’s head is the classic example of a distracting element ruining an otherwise fine photo. But there are numerous other examples, like a car driving down the street behind a person in your shot, or passersby in front of an architectural scene you’re photographing.