Software How To

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Ron Leach  |  Apr 23, 2021  | 

Everyone loves people pictures, right? So why do so many photographers shy away from portraiture? Perhaps it’s because of the popular misconception that expensive, complicated lighting gear is required for quality results.

Ron Leach  |  Aug 19, 2024  | 

Shutterbug readers are always enthusiastic about Julieanne Kost's post-processing tutorials because of her vast knowledge of all things Adobe and her uncommon knack for simplifying seemingly complicated concepts and task. In the next four minutes she demonstrates a foolproof method for enhancing images with Lightroom's Presence Sliders.

Ron Leach  |  Apr 10, 2023  | 

Luminar Neo is becoming increasingly popular among photographers these days—either as an alternative to Photoshop and Lightroom, or to add one more option to their image-editing toolkit. Today we’re going to give you a quick rundown of what’s new in the latest version 1.8.0.

Ron Leach  |  May 02, 2023  | 

Luminar Neo is rapidly gaining popularity as a full-featured alternative to Photoshop and Lightroom. It’s affordable, has a myriad of powerful tools, and is easy to use thanks to its intuitive interface,

Ron Leach  |  Mar 14, 2023  | 

Whether you’ve made the switch to Luminar Neo, or you’re using it along with other image-editors, the tutorial below is sure to improve your work with a revealing look at how one pro uses seven new tricks when processing his photos.

Ron Leach  |  May 01, 2023  | 

Photoshop’s Luminosity Masks and Blend-in tools are similar and often used to accomplish the same tasks, and photographers often confuse the two methods and wonder when they should use one over the other. The quick tutorial below answers that question so you can make the right choice when editing your work.

Ron Leach  |  Dec 15, 2021  | 

If there’s one underutilized technique for achieving superior results when editing images in Photoshop, it’s the use of Luminosity Masks to balance out the tones and create truly captivating photographs. Best yet, this powerful method is very easy to master.

Ron Leach  |  Dec 30, 2024  | 

There's no doubt that some outdoor scenes cry out for a monochrome rendition with all of the striking contrast or moody effects that are possible with b&w imagery. Other times, however, the vivid color you see through the viewfinder makes this decision a no brainer.

Ron Leach  |  Dec 19, 2024  | 

So you're out for a stroll, and photography is the furthest thing from your mind. But all of a sudden you notice something small that would make a great macro shot and wonder if this small slice of beauty can be captured effectively with the iPhone in your pocket.

Ron Leach  |  Aug 31, 2022  | 

There are several techniques for changing the color of an object, some more complicated than others. In the tutorial below you’ll learn a method that’s so simple it takes barely three minutes to explain.

Ron Leach  |  Aug 16, 2021  | 

Many of history’s greatest photographers gained their fame making b&w landscape images. With today’s modern cameras, and the digital darkroom, most of the goals remain the same but techniques often differ.

Ron Leach  |  Jul 12, 2021  | 

Blue hour, that magical time just before sunrise or sunset, is usually a great time to shoot. With the sun just below the horizon, beautiful blue tones bathe the landscape and create a dreamy soft glow.

Ron Leach  |  Mar 30, 2022  | 

One of the challenges with all forms of outdoor photography is that scenes often have a wide-range of tones—often beyond the density range of your camera. The best way to deal with situations like these is editing selective portions of the image.

Ron Leach  |  May 24, 2024  | 

Today we're discussing an issue faced by photographers who output their work at home with an inkjet printer. Namely, color files look really good but b&w prints leave a lot to be desired. You're not alone if this happens to you because this is a rather common occurrence.

Joe Farace  |  Nov 06, 2015  | 

There’s more to black-and-white photography than simply a lack of color. Maybe we wouldn’t feel this way if the first photographs were made in color but that didn’t happen and I grew up admiring the works of W. Eugene Smith and other photojournalists who photographed people at work, play, or being themselves in glorious black and white.

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