Outdoor Photography How To

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Jon Sienkiewicz  |  Mar 30, 2017  |  0 comments

President Eisenhower said, “In preparing for battle I have always found that plans are useless, but planning is indispensable.” I get that. It’s a truism that applies to things much lighter than D-Day, too. So as I watch March melt into April, I summon my highly analog paper Day-Timer calendar and begin plotting my summer. In pencil, of course. Here are the seven “must-do” activities I’ve strategized so far. 

Lynne Eodice  |  Jul 01, 2000  |  0 comments

 

 

 

 

Perhaps one of the biggest misconceptions that people have about scenic photography is the notion that the beauty of a scene will automatically be captured by a camera—all you need to do is simply point and shoot at random. After all, spectacular mountains or azure seas are awe-inspiring to...

Lynne Eodice  |  Aug 01, 2002  |  0 comments

 

 

 

Don't put your camera away just because the sun has gone down—some of the most intriguing photo opportunities await you after dark. From neon signs reflected on wet streets to car lights forming streaks on busy highways, nighttime offers a special blend of color and excitement. Photos taken by...

Lynne Eodice  |  Jan 01, 2004  |  0 comments

 

 

 

As the subject of a photograph, texture speaks to our sense of touch. The way that things feel is very ingrained in our consciousness. Texture tells us about the nature of a subject, whether it's the rough surface of a straw hat, or the silky smoothness of satin. The light that reveals an object's texture also gives us a sense of...

Lynne Eodice  |  Feb 01, 2003  |  0 comments

 

 

 

 

Photographers and painters have long been intrigued by reflections, and no wonder—there are numerous creative possibilities to be found in reflective surfaces. Whether you find fascinating images reflected in water, metal, a mirror—or even soap bubbles—there are certain tips to keep...

Lynne Eodice  |  May 01, 2004  |  0 comments

 

 

 

Rural scenes provide picturesque photo opportunities for those who love to get away from the hustle and bustle of city life. These settings convey feelings of tranquility. If you're like a lot of landscape shooters, scenery that includes barns, covered bridges, and miles of open fields may inspire you photographically.

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Lynne Eodice  |  Mar 01, 2003  |  0 comments

 

 

 

 

When a photo emphasizes a particular color, it often dictates the mood of the picture—be it warm or cool, bright or muted. Blue is usually associated with soothing, cool and more-somber moods. Conversely, the color red conjures up emotions like passion, heat, love, and even anger.

We often...

Lynne Eodice  |  May 01, 2003  |  0 comments

 

 

 

It seems that everywhere you look, you see nature photos that include water in its many forms, whether they're waves crashing on a rocky coastline, snow on a hillside, dewdrops on flower petals, or a simple ripple on a pond. For outdoor enthusiasts who enjoy taking pictures of water, the possibilities are...

Lynne Eodice  |  Jun 01, 2003  |  0 comments

 

 

 

There are a number of ways to portray "heat" in a photograph. First of all, you can use color. Perhaps more than any other design element, color determines the mood of your pictures. You can establish the entire mood of your photo by emphasizing a particular color scheme—reds, golds, and oranges are...

Lynne Eodice  |  Oct 01, 2000  |  First Published: Sep 01, 2000  |  0 comments

 

 

 

 

Photographing wildlife presents special challenges, especially if you own a compact camera. You may not have the powerful lenses that professionals use, but you can still do nicely with a moderate telephoto setting on your point-and-shoot camera, if it has one. As with household pets, wild animals...

Lynne Eodice  |  Mar 01, 2004  |  0 comments

 

 

 

One of the most challenging—and gratifying—subjects to photograph is wildlife. The primary obstacle is getting close enough to wild animals to take dramatic photos of them. Your best bet is a telephoto lens—a few point-and-shoot film cameras offer built-in zooms as long as 200mm at the telephoto end, and...

Ron Leach  |  Jan 29, 2024  |  0 comments

Most landscape photographers always carry a polarizing filter to solve a bunch a problems. These affordable tools let you darken pale blues skies, reduce reflections on water and other non-metallic objects, and even boost saturation if need be. But as you'll see in this tutorial from the PHLOG Photography YouTube channel, these benefits often come at a cost.

Ron Leach  |  Feb 20, 2024  |  0 comments

One filter that's in the bag of every experienced outdoor photographer is the versatile polarizer. Unfortunately, there's a lot of misinformation out there about the best way to use this affordable tool, and today's tutorial from Photo Masters clears up all the confusion in barely 12 minutes.

Bryan Peterson  |  Jan 26, 2018  |  0 comments

Most of us are familiar with the use of out-of-focus, seamless backgrounds by studio photographers, especially those who shoot portraits. Often, these backgrounds are a single color, such as white, black, or gray. In other cases, the backgrounds are a muslin material, adding texture to the background. The sole purpose of these backgrounds is to create a cleaner overall composition, giving the viewer no choice but to look at the man, woman, or child.

Lynne Eodice  |  Feb 01, 2005  |  0 comments

Robert Farber is renowned for his painterly images. Throughout the years, he's carved a niche with his romantic, illustrative approach to photographing nudes, landscapes and a variety of other subjects that have been featured in books like By The Sea and Farber Nudes.

 

He's continued this tradition with a new book, entitled American Mood...

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