Editor's Notes

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Editor's Notes
Our Reports From The Big European Show
George Schaub  |  Jan 01, 2007  | 

This issue contains our photokina show report, a summary of what caught our eye at the giant photo and imaging show held in Cologne, Germany, every two years. While we concentrate our main energy on the PMA Show held here in the US (our report on that show will be in our July 2007 issue), photokina does represent a milestone in photography in its international appeal and breadth...

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Editor's Notes
Our Special Report From The Big US Photo Show
George Schaub  |  Jun 01, 2008  | 

Every year the PMA (Photo Marketing Association) convention brings together all things photographic to one spot and attracts visitors and exhibitors from around the world. We see the show as a way to gather information about what's new, and perhaps as important, what's coming in terms of technology in the months and even years ahead. To accomplish our task we have a...

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Editor's Notes
Overcoming The Travails Of Travel
George Schaub  |  Dec 21, 2012  |  First Published: Nov 01, 2012  | 
Travel and photography have been intertwined since the earliest days of the craft. At photography’s beginnings, photographers often carted gear on horseback and mule, bringing along tents for wet plate coating and processing in the field. Coated film changed all that, and amateurs and professionals alike soon discovered newfound freedom in where a camera could go, and a profusion of images showed us every corner of the globe.

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Editor's Notes
Perception And Processing
George Schaub  |  Jun 01, 2009  | 

“Photographers owe nothing to reality.”—Fred Picker, 1988

An image sits in front of you on the monitor, something you caught on some stroll or an intentional trip into some world space that you wanted to share with the rest of the inhabitants, and there is something right about it and something wrong, something you missed along the way or that dropped out from...

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Editor's Notes
Personal Projects: Photo Diversity
George Schaub  |  May 14, 2012  |  First Published: Apr 01, 2012  | 
For a number of years we have been presenting the work of photographers that we generally include under a “personal project” heading, meaning essays and long-term dedication to a subject, a “cause,” or a particular field of study that uses images to help tell the tale. These projects generally focus on a point of view, a social commentary, or a distinct subject that the photographer finds of interest. They draw upon a legacy of photo essays that are a mainstay of how the camera has always been and continues to be used to communicate, to amuse, to give you a sense of wonder, or to convince you about changes that need to be addressed to better the world. They are presented as “evidence” of a point of view and often ask you to consider more deeply the topic presented, or inspire you to undertake a body of work that both codifies your perception of the world around you and makes a statement about where you stand.
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Editor's Notes
Photo Shows And Photographers
George Schaub  |  Jun 01, 2010  | 

One question I have heard posed recently is whether, in the Internet age, socialization and learning among like-minded individuals can’t be better accomplished via the web. Sounds stupid, right? Yet many folks would have you believe that you can learn everything you need to know in whatever the realm of discussion or experience from the net. Thus, the rise of “webinars” and...

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Editor's Notes
Photographers And The Web
George Schaub  |  May 01, 2010  | 

When pictures went digital it meant that images were information that could be treated as malleable things that could be edited like a text document. Along with custom processing programs with their attendant benefits came the ability to send and share images via the web, which for some meant that events and family pics could be easily shared and for others created a whole new approach to...

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Editor's Notes
Photographers’ Debate: Film Vs. Film, Digital Vs. Digital…And Digital Vs. Film (And JPEG Vs. Raw, While We’re At It)
George Schaub  |  Jan 01, 2006  | 

The title of this editorial sounds confusing, and confused, I know, but I am voicing here a mere mirror for our photographic times. There are so many options available these days, with each having its camp and cheerleaders, that it's little wonder that photographers might seem confused. To begin with film vs. film, there's been a continuing debate over whether it is...

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Editor's Notes
Photography Projects: A Focused Vision
George Schaub  |  Mar 19, 2013  |  First Published: Feb 01, 2013  | 
When we all started out in photography we had something that lit the spark, some picture we took or some special interest that we knew would be part of our guiding light in the craft. Or we saw the work of another photographer, a mentor if you will, that we immediately connected to and saw in their work a path into our own inner vision. Our aim here at the magazine, along with how-tos and reviews, is to present the work of a wide diversity of photographers who have gotten involved on an intense level with one topic, one locale, or one point of view and created a body of work that speaks to their own inner vision. It can be a project or a life’s work, but in each case we understand and appreciate the tremendous amount of focus and energy it involves.
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Editor's Notes
photokina 2010 Report: Trends And Products At The Worldwide Photo Show
George Schaub  |  Jan 01, 2011  | 

Every two years the photo industry and sundry crews from the art, printing, and Internet world gather in Cologne, Germany for what is indisputably the largest gathering of its sort in the world. While the halls are filled with various products and innovations, and probably the best minds in the photo world, the town gives itself over to photography with exhibits both sublime and ridiculous in...

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Editor's Notes
photokina And “Real Live Cameras”
George Schaub  |  Feb 07, 2013  |  First Published: Jan 01, 2013  | 
Long banished for being retro, unconnected, and perhaps even unhip, this year’s worldwide photo show, photokina, marked the return of what might be called RLCs, or “Real Live Cameras,” at least in their appearance and build and in all instances in digital manifestations. Most have new features, new capabilities, and even have sprouted “antennae” for connectivity, yet at the same time have the look and feel of photographic instruments with world-class lenses and handling to match. We begin our photokina reports in this issue, and will follow through with other reports on new products in subsequent issues of Shutterbug.
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Editor's Notes
photokina Reports:New Year’s Resolution
George Schaub  |  Jan 01, 2009  | 

In this issue we bring you our photokina report, information gathered over a week spent at the worldwide photo show held every two years in Cologne, Germany. Our team of reporters covered the vast show halls to bring you reports on the latest products and technology in the photo and imaging world as photokina has always been the source for new trends in photography, and a good deal of inside...

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Editor's Notes
Picking The Right Lens
George Schaub  |  Aug 01, 2010  | 

Point of view is determined by many factors, and is one of the most important aspects of making photos that define who you are and how you see. It can be where you stand, whether you are photographing from your normal height or elevating above the subject or shooting from kneeling position, the direction of light from your shooting position, and, perhaps most important, how much of the scene...

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Editor's Notes
Preparing For The World Cup Of Imaging
George Schaub  |  Nov 01, 2004  | 

As we go to press we're about to depart for photokina, the worldwide photo and imaging show held every two years in Germany. This is the World Cup of imaging, a show so large that visiting all the exhibits takes up every minute of the five days in which the show is held. Virtually every manufacturer and supplier in the photo/imaging realm shows up there, as well as...

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Editor's Notes
Pro Gear: Today It’s More Than Cameras, Lenses, And Lights
George Schaub  |  Nov 01, 2006  | 

When the term pro gear is used these days it means more than a high-priced camera and fast lens, or a strobe setup that can fire three heads at once and still have juice to spare. Pros these days also have to be concerned with fast computers, terabytes of backup, and large-screen monitors that display images in all their glory. They also need the software to run it all, and the...

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