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C.A. Boylan  |  Mar 29, 2013  |  First Published: Feb 01, 2013

Nikon 1 V2 Camera
The Nikon 1 V2 camera is powerful and highly versatile. Features include a 14.2-megapixel CX-format CMOS sensor, an EXPEED 3A image-processing engine, a traditional grip with a new Command dial, a 73-point AF array, and a high-resolution 3” LCD display. The 1 V2 has full Auto/Manual controls and the modes include Enhanced Motion Snapshot, Best Moment Capture, and Advanced Movie. It is compatible with all 1 Nikkor lenses and the WU-1b Wireless Mobile Adapter. The suggested retail price is $899.95 with a 10-30mm kit lens.

CA Boylan  |  Dec 14, 2012

The Sigma APO Macro 180mm F2.8 EX DG OS HSM lens boasts the company’s proprietary Optical Stabilizer (OS) technology and a wide f/2.8 aperture. The OS feature is said to allow the use of shutter speeds approximately four stops slower than would otherwise be possible, enabling handheld, close-up photography.

C.A. Boylan  |  May 01, 2009

Nikon’s COOLPIX Cameras
Nikon has introduced eight new models to their COOLPIX line of digital cameras. The S220 (10 megapixels) is a slim body camera with a 2.5” LCD screen, 3x optical zoom, Smart Portrait System, and four-way VR Image Stabilization. The S230 (10 megapixels) features a 3” high-resolution LCD screen, 3x optical zoom, and one-touch focus...

C.A. Boylan  |  Sep 01, 2008

Tamrac's Expedition 6x Photo/Laptop Backpack
The newest addition to the popular Expedition Series, the 6x is a medium-size pack for a generous amount of photo equipment. It will hold two D-SLRs (both with lenses attached), 5-6 additional lenses, a flash, accessories, and up to a 14.1" screen laptop. Lightweight (at 5 lbs) yet rugged, the main...

Press Release  |  Feb 28, 2012
Shoichiro Takeda contributed this article from Tokyo, Japan

CP+ 2012—the Camera & Photo Imaging Show--opened on February 9 and ran through the 12th in Yokohama, Japan. There were 65,120 visitors. Following are some news highlights from the show.

No More “Mirrorless”

On 9 February 2012, Mr. Makoto Kimura, The Representative Director of CIPA, announced at the opening speech that: “We will no longer use the nomenclature (mirrorless camera). Instead, we will adopt ‘non-reflex camera’ for this category”.

CIPA used to divide digital cameras into two categories, “fixed lens camera” and “interchangeable lens camera”, the latter being further divided into two subcategories, “single lens reflex camera” and “mirrorless camera”. From now on, the latter of these two subcategories will be changed to “non-reflex camera”. Mr. Kimura added that CIPA will not force the members to use this new terminology, but will leave it to the discretion of individual member companies as to which terminology to use. He has stressed that this new terminology was coined for the use in the statistics that CIPA will publicise, and merely as an antonym of the single lens reflex camera.

Ron Leach  |  Jan 23, 2017

Craig Burrows is a California-based photographer who uses his background in physics to create these amazing images that he refers to as “alternative light photography.” The photographs you see here capture the glowing wavelengths of light emitted by plants that aren’t visible to the human eye.

Shutterbug Staff  |  Mar 01, 2006

Crane & Company has announced the official launch of Museo Silver Rag--a
digital fiber based photo paper designed with the fine art photographer in mind.
It combines the semi-gloss look of a traditional air-dried fiber print with
the feel of a fine cotton paper and the image quality rivaling market leading
photo quality inkjet papers. Manufactured to archival standards, Museo Silver
Rag provides exceptional print performance for both B&W and color imaging.

...

Shutterbug Staff  |  Aug 18, 2005

Crane & Company has introduced new, double sided Museo II, available exclusively
in 250 gsm and 365 gsm weights. This completely new, fine art matte paper is 100%
acid free and buffered with pure calcium carbonate to protect the paper from environmental
acidification throughout its lifetime. Museo II contains no fluorescent brightening
agents. It is made from 100% cotton fibers, which are the purest source of cellulose
and it's produced with micro-filtered, naturally occurring, Artesian well
water. Coated on both sides, Museo II is two-side printable. Museo II's
"felt" side has a subtle Velina finish. The "wire" or
smooth side has an even, smooth surface.



Museo II has a brightness of 91 and a Dmax of 1.65, using Epson Ultrachrome inks.
Significantly higher Dmax can be achieved with the use of dye inks. The company
claims that Museo II will produce the purest blacks and whitest whites of any
available inkjet paper without optical brighteners. When properly profiled and
printed on high-quality dye or pigment photo inkjet printers, it is said to produce
exceptionally smooth gradients and the widest gamut of competitive papers. MuseoII
is also a "forgiving" paper that will produce excellent results from
most desktop inkjet printers, using Crane's available profiles.
...

Dan Havlik  |  May 25, 2016

We’ve covered how photographers and videographers are using flying drones to capture amazing aerial footage but we’ve never seen anything quite like this.

Ron Leach  |  Jul 30, 2025

Today's detailed post-processing tutorial from the PHLOG Photography YouTube channel demonstrates a straightforward technique for creating what one of our favorite pros refers to as "impossible" photos. In fact he says that you'll achieve "otherworldly" results—not due to outlandish effects, but rather because the job can't be easily accomplished in other ways.

Ron Leach  |  Apr 29, 2024

Every so often we come across a really nice scene, compose it properly, and nail both focus and exposure. Yet we're left with a feeling that by adding "a little bit extra" we can transform the image into something super special.

Ron Leach  |  Jan 15, 2021

If you want to shoot better portraits without expensive lighting equipment, this quick tutorial is for you. In just five minutes you’ll see how to create a simple and effective natural light studio in your garage that delivers professional results. And you can use this setup for more than just portrait photography.

Ron Leach  |  May 05, 2021

We often discuss how to fix distracting backgrounds in outdoor scenes, and one way to do that is by using small apertures to minimize depth of field. Another approach involves blurring the background in post processing. But if you’re looking for a more creative approach, read on.

Ron Leach  |  Dec 16, 2021

High-key photography is popular among portrait and wedding photographers and involves properly lighting a scene to achieve a bright, airy and unique look. While getting it right in the camera can be complicated, and may involve special lighting equipment, the effect is easy to mimic in Photoshop.

Ron Leach  |  Sep 28, 2024

Today's tutorial from the PHLOG Photography YouTube channel demonstrates how easy it is to use a Color Balance adjustment layer in Photoshop to refine colors in outdoor photographs and create a spectacular yet realistic look. Be sure to download the sample Raw file with the link beneath the video so you can follow along and make the changes yourself.

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