Picture This

Our Picture This! assignment was multiple exposures, combining two or more images either in camera or later in software. Multi’s take planning and exposure execution, and readers sent in images that show both that previsualization and the final work that was applied. Images ranged from bursting fireworks to imaginative constructions to tricks for the eye and mind. Some show careful alignment; others count on the seemingly random layering of effects and images that can always reveal a visual surprise.

While it’s true that photography is “writing with light,” shadows often play an equal and important role. They define form and space, create dimensionality, and concentrate the viewer’s eye on the main subject of the scene. Our Picture This! assignment this month was “negative space,” and we asked readers to send us images that use this important tool of the craft to good effect. We received portraits, landscapes, still life and abstract images, all of which display a thoughtful use of the “dark side” of aspects of the image. Exposure plays a key role in creating this effect, as does a strong scene contrast that allows the photographer to “read the highlights and let the shadows fall where they may.” All this stems from the old days when photographers were often forced by their use of slide film to create deep areas in their images in order to keep the highlights from burning up. Now that we have HDR and other contrast-fighting exposure tools it is a conscious exposure decision made to add so much to an image’s effect.

Our Picture This! assignment this month was “In the Forest,” and judging by the number of images we received it’s clear that readers love to spend time and photograph in the forest as much as we do. As you’ll see, the photos ranged from mystical to magnificent, with patterns, color, and light and shadow play all playing a part.

Our Picture This! assignment this month was “Panoramics,” and we asked readers to send us a wide view unattainable by using a single lens, or to crop a wide shot so it had an aspect ratio that mimicked the format. The eye cannot possibly see all that a panoramic photo offers in one glimpse, whether it be in looking at the print or especially in the field.

There are a couple of things about telephoto lenses that make them unique. First, and most obvious, is the ability to bring distant objects closer than working with a “normal” lens. Second, and the subject of this month’s Picture This! assignment, is a visual effect known as “stacking,” making subjects that sit at a distance from one another appear closer together, sometimes in an almost surreal way. We asked readers this month to send us examples of this effect, and responses ranged from nature to crowds to perhaps the most popular topic, architecture in urban centers. As you can see, there’s more to working with long teles than at first meets the eye.

Our Picture This! assignment this month was “Silhouette,” using exposure and composition to create an iconic form within the frame. The exposure technique involves choosing a brightly lit background, making a reading of that value and then having the form, or subject, sit between you and the light source. Readers responded with a host of subjects ranging from sculptural figures to wildlife to natural forms. We were excited by the many great images we received and choosing from among them was one of our toughest editing assignments yet.

Our Picture This! assignment this month was “Things Are Looking Up” and readers responded with a great variety of images with a skyward point of view. Many were architectural studies, and the fascinating compositions we received transformed the spaces in which we work, visit, and live. The abstraction engendered by taking a new point of view was certainly visually rewarding in all the entries we saw. It reminded us that some of the best images we can make are those that are made by looking anywhere but straight ahead, and we think when you look at the images below you’ll agree.