Outdoor Photography How To

Photographers tend to be very serious about eliminating (or at least reducing) noise in their photographs. These ugly digital artifacts tend to show up as distracting specs of grain, or random variations in color and brightness in areas of an image than should appear clean. 

Unless you’ve been living in a cave recently the amazing images from NASA’s James Webb Space Telescope (JWST) have likely blown your mind. But did you know they’re available as a free download on a NASA website?

Not long ago we featured a very popular tutorial, explaining the importance of choosing the proper focal point if precise focus is your goal. Today‘s follow-up episode, with another instructor, provides more important tips you won’t want to miss.

Admit it: You typically shoot in Aperture or Shutter Priority mode, and are pleased with your images. Yet you’re nagged by the nonsense that, you’re not a “real” photographer unless you use Manual Mode.

Photoshop’s Neural Filters are so amazing that it’s tempting to reach for them first whenever editing images that need work. Despite the magic, however, sometimes a more “traditional" approach is almost as easy and delivers more faithful results.

When professional landscape photographer Ian Plant says there are “five photo accessories I never leave home without,” we stop and pay attention. That’s because of his unique approach to shooting in the field.

One of the most difficult challenges when photographing landscapes is balancing the wide range of tones from deep shadows to bright highlights that often occur in outdoor scenes. In fact, sometimes the density range is so great that’s it’s impossible to precisely exposure the image.