Outdoor Photography How To

The first thing most landscape photographers do when arriving at a location is reach into their bag and pull out a favorite wide-angle lens. That's because the perspective these lenses provide enables you to capture breathtaking, expansive vistas.

Ask a bunch of experienced photographers to name their favorite season for shooting landscapes, and what do you get? Typically the emphatic responsive will be a resounding "autumn" or "fall." Most of the time even the best colorful warm-toned images can be improved a bit during the editing process, and that's what you'll learn how to do below.

Choosing the optimum frame rate (fps) is a no-brainer when shooting in the field, right? You use the fastest setting available for subjects in motion, and back it off with statics subjects. Well, there's more to it than that as you'll see in the tutorial below from the Backcountry Gallery YouTube channel.

This is a great time of year for landscape photography, whether you want to capture the remnants of summer, the unfolding warm colors of autumn, beautiful Golden Hour images, or awe-inspiring sunsets. Last week we featured an unfamiliar Photoshop Curves trick for enhancing these types of images, and today's tutorial from the Park Cameras YouTube channel is all about getting it done in the camera.

We're big fans of using old lenses on modern mirrorless cameras for a variety of reasons. Not only is vintage glass far less expensive than modern counterparts build quality is often superior, and the necessary adapters are readily available for less than 20 bucks. The wide-angle prime discussed in the video below is a perfect example

Today's Photoshop tutorial addresses a very common problem that many of us encounter when shooting landscapes, environmental portraits, and other photographs outdoors. It occurs when your camera is pointed up or down, rather than flat to the horizon.

We're all at the mercy of Mother Nature When shooting in the field, and that leaves us three options when arriving at a beautiful location and are faced with flat, uninspiring light. We can sit around and wait until conditions improve, give up and return another day, or capture the best images possible and enhance them during the editing process when we return home.