Outdoor Photography How To

We recently shared a fascinating video from Romanian pro Toma Bonciu, in which he discussed how much he’s learned by studying the work of fine art landscape photographer Clyde Butcher. And in today’s revealing video, the self-taught Bonciu explains how much his photography has evolved after scrutinizing the images of the iconic Art Wolfe.

Professional photographer Peter McKinnon admits it: He’s always been intimidated by shooting after dark, explaining that “The rules are completely different at night, and it’s a whole different ballgame.” Thus, until recently, McKinnon’s photography always ground to a halt after the sun dropped below the horizon.

This Lightroom tutorial deals with a situation we’ve all encountered: “You make a photo, you think ‘yes, this it,’ I GOT that shot.” But when you get home and look at the image on you’re computer, you say to yourself, “Yo, this photo is kind of boring.”

Most of us are familiar with the use of out-of-focus, seamless backgrounds by studio photographers, especially those who shoot portraits. Often, these backgrounds are a single color, such as white, black, or gray. In other cases, the backgrounds are a muslin material, adding texture to the background. The sole purpose of these backgrounds is to create a cleaner overall composition, giving the viewer no choice but to look at the man, woman, or child.

One trick employed by experienced landscape photographers is to use long exposures to capture dramatic images of soft, flowing water and cotton-like clouds. This technique typically involves the use of neutral density (ND) filters to reduce the amount of light entering the camera, thereby permitting extended exposure times.

OK, be honest here: Let’s say you plan to arise at dawn tomorrow for a day of photography. But when the alarm clock rings and you look out the window, it’s a gloomy, foggy day. So what do you do? If your decision is to “wait for better weather,” the video below is for you.

A while back we wrote about a crazy photographer who mounted a GoPro on his DSLR and photographed a college football game, just because. And now he’s at it again, this time putting a “knockoff GoPro” on a Fuji digital camera to shoot cityscapes and street scenes in Boston.