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Introduced in 2012, the Pentax K-01 was met with widely discordant yelps of either disbelief, unconditional infatuation, technical condemnation, or irresolute "meh," — depending on the reviewer — and was ultimately booed off the stage. Too bad. It's awesome. And we think it just might be the most underrated camera ever.

Are ready to elevate your street photography skills and capture spectacular imagery? If so, this 12-minute video demonstrates a powerful yet simple technique for getting the job done.

This tutorial from the popular Photoshop Café YouTube channel begins with a blunt question: "Do your Photoshop masks suck." If this problem is a regular occurrence, the following tutorial will set you free in less than nine minutes.

One big challenge when photographing birds or other types of wildlife involves dealing with subjects that appear in front of busy backgrounds—a situation that tends to happen more often than not. There are ways to remedy this problem in post-processing, but wouldn't you rather get things right in the camera? This tutorial from Backcountry Gallery explains how it's done.

Just about all Lightroom users know that the software includes a variety of timesaving presets for creating numerous effects and quickly dupicating specific edits you made in the past. In addition to the built-in presets there are others you can download at nominal cost, and even create some of your own.

We're always looking for unique post-processing techniques that transform mediocre images into money shots with an eye-catching and totally unexpected effect. This Photoshop tutorial begins with a concise question that gives the technique away: "Do you want to transform a bright, sunny day into a dramatic night scene?"

There are countess reasons you may want to modify certain colors in a photo whether it was captured indoors or out. Perhaps a landscape image looks really great, except for a dull or lifeless sky. Or maybe you want to change the background used for a macro photo to make it more complementary to the tones in the subject.