Mirrorless Camera News

"I tested [the Fuji X-T10] on subjects from moving vehicles to erratically running children and the camera managed to keep up with practically everything I could throw at it."

Leica just introduced the heavily rumored new Leica SL (Typ 601) mirrorless camera system, which includes a brand new “Leica L” lens and more dedicated full-frame glass to come in the near future. Leica has designed the SL to take on not just rival mirrorless cameras but to, potentially, lure pro DSLR users to switch to this high-end system, which combines what the company claims to be the fastest autofocus on the market with a speedy 11fps burst rate and 4K video capture.

The OM-D E-M10 Mark II (E-M10 II in the following text) is the second generation of the Olympus entry level E-M system line. The first E-M10, introduced in January 2014, was a very small and compact camera with SLR design elements. The E-M10 II has a very similar look with even more “retro style” elements. The on/off switch, for example, looks like the same switch on the analog Olympus OM-1 from the 1970s.

Sony’s A-series cameras have gotten a lot of coverage in the photo press in the last few years with the recently introduced Sony A7R II receiving the kind of the pre-release hype not seen since the launch of the Canon 5D Mark II back in 2008. While this would seem to be good news for Sony, it’s tough to gauge what kind of impact it’s had.

The 20.3-megapixel Panasonic Lumix DMC-GX8 is the follow-up to the GX7, which was the top model of the viewfinder style G series mirrorless cameras. Like the GX7, the Panasonic GX8 looks like a classic rangefinder camera, but has a tiltable electronic viewfinder that uses a high resolution OLED display with 2.36 million RGB dots.

We told you about Sony's new low-light shooting A7S II last week -- aka the Master of the Dark Arts -- but there's one feature of this mirrorless camera we weren't aware of. Sony annouced today that the A7S II, which hits stores in October, will give photographers the option of shooting compressed or uncompressed 14-Bit Raw images.