Mirrorless Camera News

A score of digital and analog cameras that set standards for their era and pointed to the future.

Ask just about any professional photographer what the top cameras are for capturing sports, photojournalism or wildlife and they’ll likely tell you the Nikon D5, Canon 1D X Mark II or the Sony A9. These full-frame cameras are truly the cream of the crop when it comes to capturing high-quality images of fast action.

All interchangeable lens cameras share common feature sets, with some offering higher sensitivity (ISO range), faster shutter speeds, or enhanced video capabilities. Aimed squarely at photo enthusiasts and advanced photographers who can appreciate and make use of its many creative imaging options, the Panasonic Lumix DC-G9 ($1,697, body only) stands out as a fast performer, with an astonishing framing rate and very fast autofocus acquisition time, plus many features and functions that will appeal to knowledgeable photographers who want to make use of cutting-edge processing and capture capabilities.

If you’re considering buying a high-resolution full-frame camera, you’ve likely considered both the Nikon D850 DSLR or the Sony A7R III mirrorless camera.

Three of the most talked about full-frame, interchangeable lens cameras of the past year, undoubtedly, have to be the Sony A7R III and A7 III mirrorless cameras, and the Nikon D850 DSLR. While we’ve reviewed all three models at Shutterbug, we haven’t done a direct head-to-head comparison of them.

I was heartened to see the new Fujifilm X-E3 being promoted by the company as being “built from the essence of minimalism.” In art and design, minimalism is paring down to bare essentials, a kind of “less is more and more is less” approach. In a modern digital camera it should mean a design and layout that might well appeal to those who, in ye olde film days, chose a manual interchangeable lens rangefinder over a multifunctional SLR.