Lens News

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Joe Farace  |  Jun 01, 2011  |  13 comments

Tamron has always been a pioneer in the do-everything zoom lens category and their new AF18-270mm F/3.5-6.3 Di II VC PZD lens is no exception. Don’t be intimidated by those initials—it’s all good stuff—and I’ll get to them shortly. The 18-270mm F/3.5-6.3 is part of Tamron’s Di II family of lenses that are engineered specifically for digital SLRs with image sensors measuring 24x16mm, typically referred to as APS-C. The sensor size of the Canon EOS 50D I tested the lens with measures 22.3x14.9mm so I guess that’s close enough. The 15x zoom range of the lens provides a 35mm focal length equivalency of 28.8-432mm with the Canon EOS 50D’s 1.6x multiplication factor, but that will be slightly different for the Nikon and Sony versions that are also available. Shooting full frame? Check out Tamron’s Di lens series for 35mm film cameras or digital SLRs featuring larger (24x36mm) sensors.

 

Jack Neubart  |  Mar 01, 2011  |  1 comments

For the first time, Tamron has incorporated an Ultrasonic Silent Drive, or USD, with full-time manual override in this zoom lens, making it a competitive technology with Nikon’s Silent Wave Motor, Canon’s Ultrasonic Motor (USM), and Sony’s Super Sonic wave Motor.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

One of the great things about photokina is that you find a lot of “straws in the wind”: not necessarily major introductions from major manufacturers, but intriguing indicators of which way the wind is blowing.

George Schaub  |  Jan 01, 2011  |  0 comments

Our show report this year is an amalgam of product news and trend spotting, which pretty much reflects what photokina has stood for in our minds. The sense of a United Nations of photography still prevails at this increasingly European-directed show, but the image and its uses is still the universal tie that binds.

C.A. Boylan  |  Dec 01, 2010  |  0 comments

Tamron SP 70-300mm F/4-5.6 Di VC USD Lens
Designed for use with AF 35mm, full-frame sensor, and APS-C sensor D-SLR cameras, the SP 70-300mm lens features vibration compensation and a silent ultrasonic autofocus drive. It has an extra low dispersion lens element made from high-grade glass. The angle of view (diagonal) is 34? 21’-8? 15’; the maximum focus...

C.A. Boylan  |  Oct 01, 2010  |  0 comments

Sigma 17-50mm f/2.8 EX DC OS HSM Lens
Sigma introduced their new 17-50mm f/2.8 EX DC OS HSM lens. This large aperture, standard zoom lens was created for APS-C digital cameras and features Sigma’s Optical Stabilization functionality, which allows you to shoot handheld at shutter speeds nearly four steps slower than would otherwise be possible. It also features their...

C.A. Boylan  |  Sep 01, 2010  |  0 comments

Nikon’s S-Series COOLPIX
There are three new S-series COOLPIX cameras from Nikon. The S8000 features a 10x optical zoom ED glass lens, a four-way Vibration Reduction (VR) Image Stabilization System, ISO settings to 3200, and a 3” LCD screen. It can record HD movies with stereo sound and has a Sport Continuous mode. Colors for the S8000 include black, red...

Joe Farace  |  Aug 01, 2010  |  0 comments

When it comes to lenses, the name Carl Zeiss is synonymous with optical perfection or as they say around the Hallmark store, “when you care enough to shoot the very best.” Zeiss continues to expand its line of interchangeable lenses for Canon, Nikon, and Pentax cameras to include two new wide-angle lenses, the Distagon T* 18mm f/3.5 and Distagon T* 21mm f/2.8.

The...

Jon Sienkiewicz  |  Aug 01, 2010  |  0 comments

Back in the day when prime lenses ruled supreme and snooty purists decried zooms for lack of absolute sharpness, Tele-Converters (TCs) were popular accessories. Photographers wanted to bring distant subjects closer, and TCs provided a means to that end. Also known as tele-extenders, these thick slabs of metal and glass increase the focal length of a given lens while also decreasing the f/stop.

Jack Neubart  |  Aug 01, 2010  |  0 comments

The new Tamron SP AF17-50mm F/2.8 XR Di II VC LD Aspherical (IF) joins a growing community of wide-zoom lenses. In contrast to an earlier version of this lens, which is available in several mounts, this APS-C Tamron optic (designated Model B005/$649 street price) is only available in Nikon DX (with built-in motor) and Canon mounts. Given that I mated this lens to a Nikon D300, that effectively...

C.A. Boylan  |  Aug 01, 2010  |  0 comments

Nikon’s AF-S Nikkor 200-400mm f/4G ED VR II Lens
The AF-S Nikkor 200-400mm f/4G ED VR II lens is constructed from die-cast magnesium and sealed to resist dust and moisture. It features meniscus glass to protect the front element, VR II image stabilization, Extra-low Dispersion (ED) glass elements, Silent Wave Motor technology, and three Focusing modes. The suggested...

George Schaub  |  Aug 01, 2010  |  0 comments

When you talk about lenses these days you always have to bring in the multiplication factor, especially when you have a lens that fits comfortably on both so-called full-frame and APS-C sensor cameras. To know what angles of view you will have available you have to know: (a) that the lens is made for full-sized sensors (or not) so will work with the multiplication factor on smaller sized sensors...

Stan Trzoniec  |  Aug 01, 2010  |  1 comments

Nikon’s entry into past universal 80-200mm f/2.8 lenses started back in 1978 with a manual focus, push-pull lens checking in at 4 lbs. Ten years later the autofocus model arrived sporting ED (Extra-low Dispersion) glass; ’92 marked the “D” package. In ’96 the AF-S version came along, followed by the new generation of front motor drive “G” models. Now we...

Jack Neubart  |  Aug 01, 2010  |  0 comments

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

Jack Neubart  |  Jun 01, 2010  |  0 comments

This year we’ve seen many fine lenses come onto the scene, many with new optical elements designed to enhance performance while making the lens lighter and more affordable.

Nikon announced two new lenses aimed primarily at FX-format shooters (but usable with DX format). The AF-S Nikkor 24mm f/1.4G ED ($2199) is a fast lens well suited to low-light landscapes or expansive...

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