So you finally tried shooting in Manual mode after listening to all the noise from so-called "purists" and surprise; the images you captured were far from impressive. What's up with that?
We've had discussions in the past about how a heavy-handed approach to post processing can be worse than no editing at all and can really mess up an otherwise nice shot. There are also times that problem occur because of a failure to understand how common tools work, and this often results in easy-to-correct mistakes
If you've ever tried removing extremely complex objects from an image, you probably tried doing so using Generative Fill. It's likely that the results you received weren't up to par because Gen Fill often delivers poor results no matter how many times you try. In fact, in some circumstances like this one it may even replace objects rather than eliminate them.
One great way to gain recognition for your hard-earned work is to hang framed, oversized prints in your home or office where you can enjoy them too. But there are a few thing to know before sending files off to the lab so that they can deliver the best possible output.
If you're looking for a post-processing technique that will take your landscape photos to the next level, this Lightroom tutorial from the PHLOG Photography YouTube channel is exactly what you need. You'll learn how to create "magical light" and introduce vibrant colors so that your images seem to jump off the screen.
Outdoor photographs often need local adjustments to balance a bright sky against a dark background, or when one side of an image is brighter than the other. The trick is using Lightroom's Linear Gradient tool to create soft transitions in a fading pattern to make the necessary enhancements.
A primary goal of all photographers is to capture images with accurate colors, unless a special effect is the name of the game. When it comes to editing photos with skewed hues, Lightroom's White Balance tools are often sufficient for getting things right.
We've all had the misfortune of returning from a shoot, only to discover that our "great" images are soft and unfocused. This problem can be overlooked if it's extremely rare, but if it happens consistently there's a few problems that must be resolved.
This interesting post-processing tutorial demonstrates how to use Photoshop's Radial Blur filter with the option of Zoom to accentuate motion in a way that conveys a dynamic impression of speed. As instructor Pablo Garcia says, "this is a great choice for giving our photos a sense of movement towards the inside of the image."
Most experienced landscape photographers consider a bombproof tripod absolutely essential. But when you combine the considerable weight of this accessory with the heft of a full pack, you end up with a heavy and cumbersome load for a full day of shooting in the field.