Photoshop How To

Today's very helpful Lightroom tutorial begins with this quote from one of our favorite young photographers Austin James Jackson: "I've seen enough Lightroom catalogs to know that there are a lot of people who struggle to organize. In this video I'm going to help you solve that problem."

The second day of the week is often referred to as Taco Tuesday, but Shutterbug readers know it's also Tutorial Tuesday when we often post the weekly lessons from Park Cameras—one of the leading photo retailers in the UK. This episode explains the difference between Vibrance and Saturation sliders, so you'll understand when and how to put these simple sliders to use.

Here's the frustrating thing about shooting sunsets: While these scenes are among the most popular that we capture, oftentimes our results fall far short of the splendor we witnessed through the viewfinder. That's because the beautiful warm tones and a perfectly balanced  exposure can be very difficult to get right in the camera.

Sometimes you shoot a color image and realize it would look more compelling by converting it to b&w because of the potential for awesome contrast and other characteristics within the scene. Today you'll learn why you should avoid the common amateur approach, and use a method favored by a top pro that is still simple to accomplish.

If you're new to Photoshop's Gradient tool the tutorial below is just what you'll need, because you'll learn everything you need to know for putting this technique to use. There's also something valuable for those already familiar with Gradients; namely the two new modes that are important to understand.

Have you ever captured what would be a great photograph, were it not for an abundance of image-killing noise? If so, the following video from the Birdman Photography YouTube channel will help fix the problem thanks to a new Denoise tool in Lightroom.

The most common goal when editing our landscape photos is to imbue images with vibrant colors and accurate exposures that enhance all the details of a scene. But what do you do when photos you capture look more like a snapshots—either because the light isn't interesting or there's nothing particularly captivating about the scene?