The Luminosity Mask is a versatile image-editing tool, enabling you to make selective tone-based adjustments to specific portions of an image. In other words, you can modify highlights, shadows, or midtones in one area without affecting other parts of a photograph.
There are so many handy tools regularly added to Lightroom, it’s easy to miss the latest and greatest features. But there are also some key tools that have been in Lightroom for a long time that you may have missed.
One of the challenges we all face as photographers is conveying the excitement of action scenes in a still image. In the eye-opening tutorial below you’ll learn an easy method for bringing life to outdoor images with a little help from Photoshop.
Bright and colorful photos are nice but sometimes you want your images to have added drama and a touch mystery. To do that, you can give them a dark and moody look during post-processing if you didn’t capture them that way in camera.
A couple week’s ago we featured a tutorial for experienced bird photographers, with a variety of tips and mistakes to avoid for achieving optimum results. Today’s episode is for those just getting started, with a complete beginner’s guide to joining in on the fun.
All photographers strive for maximum photo quality, no matter what type of images they shoot. One way to achieve optimum results is to use the lowest ISO setting that conditions permit.
Have you ever captured what you thought were great images, only to be disappointed when reviewing them on computer? It’s a rather common occurrence that images don’t look as impressive on a monitor as they did through the viewfinder (or with your naked eye when viewing the scene).
Photoshop and Lightroom are so complex, you’ll probably never use most of the stuff this high-powered software does. But there are quite a few small but helpful “secret” tools and tricks in these photo editors you really should know because they’ll make your life so much easier.
Last week we featured what turned out to be a very popular tutorial for those new to Photoshop, explaining the first tools to learn. We don’t want Lightroom users to feel ignored, so today we’re doing something similar for you.
British pro Nigel Danson is one of our favorite outdoor photographers and image-editing instructors. So when he claims to have discovered a “secret” Lightroom tool he now uses to process every image he shoots, we stop and pay attention. And you should too.
Photoshop is such a comprehensive package that it can be very intimidating—even to experienced users. And if you’re a novice, getting started may seem absolutely bewildering.
One unfortunate mistake we see regularly is bumping up saturation in an attempt to make photos “POP,” with a heavy-handed approach that gives the shot an ugly, unrealistic appearance and actually ruins the image.
We’ve discussed the relative merits of shooting Raw vs. JPEGs numerous times, and the consensus is the former delivers superior image quality, far more leeway during post processing, and a number of other benefits. The primary advantage of JPEGs is the significantly smaller file sizes, which can be important for certain applications.
You’ve probably noticed there’s been a trend for editing portraits lately that favors a bright, high key look. While there is some visual appeal to processing portraits this way since it gives them an eye-catching, ethereal color palette there are some trade-offs to this method.
We all strive for sharp images with a minimum of noise, which can be particular difficult when using slow shutter speeds and high ISO settings under low-low conditions. Conventional wisdom is that when you optimize one parameter you make the other worse.