Something magical tends to happen once the sun drops below the horizon: scenes that were dull and unimpressive during the day are often transformed into sparkling tableaus full of interesting light, vivid colors, and captivating reflections—while all the boring stuff disappears into the shadows.
London-based photographer Justin Carey says he is “fascinated by solitude, sentiment and the particular beauty found in unexpected places,” and his nighttime street photography captures moods and textures that are simply not possible during the day.
Whether you’re shooting landscapes, street photos, or cityscapes, something magical happens when the sun dips below the horizon. Colorful lights abound, and less appealing components of a scene tend to fade into obscurity.
It was a pleasure shooting with the original Nikon Z6 mirrorless camera when I reviewed this affordable model just about two years ago, so it was a pleasant surprise when the new upgraded Nikon Z 6II arrived at my door. The original Z6 scored high marks for it’s compact size, rugged build, pleasing image quality, and versatility—especially for the uncommon price of $1,995 for a full-frame camera.
All outdoor photographers are at the mercy of Mother Nature, especially when shooting landscapes. That’s because sometimes you scout out a perfect scene in advance, prepare your gear, and arrive at the right time of day—only to confront disappointingly dull skies.
Photoshop users know that Vibrance and Saturation are similar but not quite the same, and these tools can be employed separately or together for different purposes. Lightroom, on the other hand doesn’t have a Vibrance tool, and if that sounds crazy just take a look; all you’ll find is a Saturation slider.
Have you heard the term “non-destructive” to characterize certain editing methods, but you’re unsure what it means? If so, we’re going to clear that up today. You’ll also learn how easy it is to get the job done using Adjustment Layers to process photos.
Photographic opportunities are quite limited during his time of social distancing and stay-home orders. But these same inconveniences make this a great time to capture unique images of abandoned streets wherever you live.
The Arctic National Wildlife Refuge (ANWR) in northeastern Alaska consists of 19,286,722 acres along the Alaskan North Slope, and supports a greater diversity of flora and fauna than anywhere else in the Arctic Circle. It was established in 1960 and is governed by the U.S. Fish and Wildlife Service. It receives only about 1,500 visitors a year.
Scott Serfas is one photographer who likes to get in on the action. In fact, he thrives on it. There is a certain amount of serendipity involved, but there is also a certain amount of passive control, in the sense that Serfas knows what to expect and expects the unexpected.
I learned photography in the film days, and when the huge change to digital came along, I changed not only my gear but the way I see. I used to have to see in terms of very specific criteria of what would work within the ISO range of my film and what the film could record in terms of light and shadow. Low ISOs meant I couldn’t get enough depth of field, or a tripod was needed, or I had to light something because there wasn’t enough information in pictures that had incredible shadow detail. High ISOs often meant an unacceptable level of grain and bad color rendition. As a result I passed up a lot of situations that got my attention but were beyond the capability of my film to capture.
Chuck Berry was right. “It goes to show you never can tell,” he wrote, and sang, and that phrase is as appropriate a way to begin this column as any I can think of. I certainly never can tell which photo will please the client, fulfill the assignment, or sell well through my stock agencies; in other words, which one will succeed in the marketplace.
If you ask a bunch of photographers what they found most exciting about the recent Photoshop update, you're likely to receive this two-word answer: Generative Fill. Nonetheless, professional photographer Nick Page begs to differ, claiming the Remove tool is a real game changer and the best new capability.
Chris Perea is an acclaimed Arizona-based pro known for stunning images of the American Southwest. In the tutorial below he reveals an important secret to his success, which he says is “the one crucial concept every landscape photography should know.”
Are you one of those photographers who don’t like to spend a lot of time editing photos? Or perhaps you’re new to Photoshop and not sure how to deal with images that need a bit of work. In either case, this quick tutorial is for you.