Outdoor Photography How To

One advantage of owning a home, or living in an apartment with a pretty yard, is that there's abundance of great photo opportunities right outside your door. Today's topic is garden photography, and the following tutorial from Quiet Light Photo provides five time-tested tips for getting the job done to perfection.

Giving up on a favorite lens is almost like breaking up with a loved one – yes, photographers are a weird bunch – but if it’s ever happened to you, you know the feeling can be oddly familiar. “I used to love this lens but, for some reason, it just doesn’t do it for me anymore.”

Adobe's new Adaptive Color Profile is an amazing AI-based tool that analyses an image and adjusts tones and colors to make them "look just right." The experts at Adobe put it like this: "The effect is as if the AI has changed exposure, shadows, highlights, Color Mixer, Curves, and other key controls for you."

Outdoor photographers often encounter lighting situations with such a wide range of tones that it’s difficult or impossible to capture a properly exposed image in just one shot. Under such conditions, if you expose for the highlights, shadows are crushed. Conversely, if you expose for the shadows, highlights are blown out.

One “rule” many photographers learn when first starting out is to “always shoot with the sun at your back.” This advice may work well for “Kodak Moment” snapshots, or for predictable photos of average scenes, but a different approach is called for if you’re after eye-catching imagery that stands out from the crowd.

There's a frequently overlooked post-processing technique for accentuating colors in photographs captured in the field, and you'll learn why, why, and how to use it in today's seven-minute tutorial from the popular Sandra D Imagery YouTube Channel.

EV-Compensation is an important concept to understand if you want to consistently capture properly exposed images in the camera. Also known as Exposure Compensation, this setting is a feature in just about any camera you own, and when used properly it often eliminates the necessity of balancing tones during the editing process.