Wildlife Photography How To

At my workshops and lectures I am often asked by photographers how I am able to get sharp images at slow shutter speeds out of the affordable 70-300mm zoom I use for backpacking while they are unable to get sharp images with their 70-200 f/2.8 pro lenses. It is true that when it comes to lenses, the price tag does match the quality in terms of durability and sharpness at wide apertures. But by the time my carry-along backpacking lens is stopped down to f/8, it is nearly impossible to tell the difference between photos taken with it and images taken with the most expensive pro lenses. Honestly, the lack of sharpness in photos has less to do with the tele lens you are using than it might seem and more to do with long lens technique.

Ron Magill is a trained zoologist and the communications director of the Miami-Dade Zoological Park and Gardens—Zoo Miami for short—and if you think that gives him an advantage when it comes to taking outstanding wildlife images, you’re right. But don’t turn the page. What’s needed to get a share of the wildlife “Wow!” factor is technique, access, and information that’s available to all. You will also need dedication and persistence. Above all, be sure to pack your patience along with your camera and lenses.

All Photos by Cappy Jackson

A prize-winning photographer who's best known for her equestrian images, Cappy Jackson got an early start. At age 14 she became an assistant to an established pro, Peter Winants, who was the staff photographer for a magazine called Maryland...

One of the most challenging—and gratifying—subjects to photograph is wildlife. The primary obstacle is getting close enough to wild animals to take dramatic photos of them. Your best bet is a telephoto lens—a few point-and-shoot film cameras offer built-in zooms as long as 200mm at the telephoto end, and...

All photos by Chris Ameruoso unless otherwise indicated

By the end of 1998, Chris Ameruoso found himself at a major crossroad. As someone who had spent most of his youth performing in a family rock band, he had moved to Los Angeles about 10 years previously "with a dream of music." Then suddenly he switched gears, and found his calling shooting portraits of...