If you're new to wildlife nature photography or just want to elevate your game, today's video tutorial is exactly what you need. In either case, this step-by-step guide to "essential" camera settings will set you on the path to success.
German pro Christian Mohrle is a favorite among Shutterbug readers who appreciate his detailed tutorials for enhancing landscape imagery. Today he's switching things up by applying his post-processing expertise to wildlife photographs that need some serious help from Lightroom.
Most accomplished photographers pay close attention to their camera's histogram when shooting in the field because this simple graphic can be extremely helpful for balancing all the tones throughout a scene. But one respected pro insists that in certain situations, "the histogram may be lying to you and I'll show you why."
Are you dissatisfied with the images you shoot of birds and other forms of wildlife? If so, you've come to the right place today. The video below provides a handful of pro techniques that are guaranteed to up your game—regardless the gear you currently own or the level of your skills.
Everyone loves photographing their pets, even if they specialize in other genres. And those of you who don't have a furry friend yourself will likely be asked by someone else to make a few portraits of theirs. After all, you own a camera, right?
Photographing our feathered friends is a lot of fun, and it’s a very accessible form of wildlife photography no matter where you live. Today's tutorial from B&H Photo Video is designed to get you inspired, with a handful of techniques you can start using today.
A common practice among nature and wildlife photographers is to shoot at maximum aperture to separate the primary subject from a soft out-of-focus background. This tutorial, however, explains when this can be a bad habit and actually spoil an otherwise great image.
Most photographers understand why shooting in Raw provides maximum image detail and other key attributes that contribute to ultimate image quality. Another benefit of using this format is that it delivers far more control during the image-editing process.
We all strive to capture photos in which the primary subject of a scene is full of detail and properly exposed. Today, however, you'll learn a different approach whereby the subject is shy on detail but full of drama and impact.
Shutterbug readers are always enthusiastic about Julieanne Kost's post-processing tutorials because of her vast knowledge of all things Adobe and her uncommon knack for simplifying seemingly complicated concepts and task. In the next four minutes she demonstrates a foolproof method for enhancing images with Lightroom's Presence Sliders.
This interesting post-processing tutorial demonstrates how to use Photoshop's Radial Blur filter with the option of Zoom to accentuate motion in a way that conveys a dynamic impression of speed. As instructor Pablo Garcia says, "this is a great choice for giving our photos a sense of movement towards the inside of the image."
Photos with a captivating sense of motion blur can be created in two ways: in the camera or during the image-editing process. This tutorial from instructor Pablo Garcia demonstrates how to combine both techniques to achieve the best possible results.
Have you ever been out in the field on a nice day, found a great subject, and framed up the shot perfectly—only to discover that the images you captured are far less impactful that you expected? If your answer is "no," then you're better or luckier that the rest of us.
Earlier this month we discussed five ways to boost autofocus with whatever gear you own. Today's tutorial from Great Big Photography World (GBPW) takes a look at one specific camera setting that will deliver the best possible results in a variety of situations.
Most of us photograph birds on occasion, regardless of our favorite genre, because these colorful and accessible subjects are just about everywhere you look—including in your own backyard. Inexperienced shooters typically concentrate on stationary subjects perched on a branch because of a common misconception that capturing birds in flight is far beyond their skills.