Videos

This is a great time of year for landscape photography, whether you want to capture the remnants of summer, the unfolding warm colors of autumn, beautiful Golden Hour images, or awe-inspiring sunsets. Last week we featured an unfamiliar Photoshop Curves trick for enhancing these types of images, and today's tutorial from the Park Cameras YouTube channel is all about getting it done in the camera.

If you've been playing around with the beta version of Photoshop 2024 for what seems like forever, it's time to get real as the official release has been unveiled. We enlisted the help of one of the world's most acclaimed image-editing experts to help you understand and use the most important new capabilities.

We're big fans of using old lenses on modern mirrorless cameras for a variety of reasons. Not only is vintage glass far less expensive than modern counterparts build quality is often superior, and the necessary adapters are readily available for less than 20 bucks. The wide-angle prime discussed in the video below is a perfect example

Today's Photoshop tutorial addresses a very common problem that many of us encounter when shooting landscapes, environmental portraits, and other photographs outdoors. It occurs when your camera is pointed up or down, rather than flat to the horizon.

We're all at the mercy of Mother Nature When shooting in the field, and that leaves us three options when arriving at a beautiful location and are faced with flat, uninspiring light. We can sit around and wait until conditions improve, give up and return another day, or capture the best images possible and enhance them during the editing process when we return home.

Let's say you capture a nice image, and you want to bring out a bit more detail during the editing process. It doesn't matter whether the photo is a portrait, macro shot, a landscape scene, or something else. What's your strategy?

Last week we featured a tutorial explaining why your hand-held photos may be unsharp, with techniques you can employ in the field to fix the problem. That lesson turned out to be quite popular, as expected, because the goal of most photographers is fast and precise focus.