Outdoor Photography How To

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Blaine Harrington  |  Sep 11, 2015  | 

Early last year I started planning a month-long trip to Botswana and South Africa, part of which would be spent leading a photo safari. From the start I knew that my photography would include much more than wildlife. It’s my business, and my pleasure, to explore and experience beyond the obvious subjects suggested by a location. As a practical matter, I have to photograph much more of what a destination offers and deserves; as a personal matter, it’s often what’s best about my job.

Adrian Rohnfelder  |  Aug 28, 2015  | 

Kamchatka, Eastern Russia: I am standing at the crater rim of the active Tolbachik volcano, taking pictures. Suddenly the volcano spits out a red-glowing lava bomb that is heading precisely in my direction. Luckily enough it doesn’t hit me but lands just by my side. Although afraid at first, I delightedly grab my camera: this is a rare opportunity to take close-up shots from still very hot and glowing cinder bombs.

David Shaw  |  Aug 25, 2015  | 

My wide-angle lens was perfect when the late-evening shadows crept across the mountains of the Arctic National Wildlife Refuge. The sweeping landscape, wide open and treeless, was suited to the wide field of view. Until, that is, the weather turned, and with it, my perspective on that wild place. I woke one morning to rain pattering intermittently on the nylon of my tent. Between showers, I emerged to find the mountains obscured by scudding clouds.

Barry Tanenbaum  |  Aug 25, 2015  | 

The temperature was 19 degrees on a late February morning last winter on the beach at Nantucket, Massachusetts. About 300 yards out the ocean was icing up, and the waves rolling in had the consistency of freshly mixed concrete. Checking things out was pro photographer Jonathan Nimerfroh.

Maria Piscopo  |  Aug 07, 2015  | 

Wildlife and nature photography is certainly a niche market but it turns out to be bigger than many think. According to our contributing photographers in this month’s column, photos of nature and wildlife can be sold for a broad range of uses, including stock, editorial, book publishing, interior design, fine art, and even assignment. Other important questions we ask our wildlife and nature photographers this month include what does it take to make your passion for these subjects a business? How do you market and promote your images?

Barry Tanenbaum  |  Aug 04, 2015  | 

John Paul Caponigro’s elegant, intriguing fine art images result from his control of a complex mix of inspiration, insight, and experience. And one other thing: his enthusiastic embrace of technology in the pursuit and realization of vision.

Staff  |  Jul 28, 2015  | 

The source photo for this beautiful image by Kathy Beal is from an iceberg she captured off the coast of Greenland in 2012. “Most of my images start with a base photograph, where I shoot for form, color, and texture,” Beal explains. “I then post-process the photograph in Photoshop, using a variety of tools and techniques.

Cynthia Boylan  |  Jul 27, 2015  | 

In this video (brought to you by B&H Photo and currently available on YouTube) photographer Chris Nicholson provides a wide variety of pro level tips and tricks to help you get the most from your next visit to one of America’s beautiful National Parks. Captured during a photography workshop, this video has a runtime of nearly one hour and includes sample images, advice on the best places to explore and what to bring with you. 

Cynthia Boylan  |  Jul 24, 2015  | 

The below instructional video from longtime pro photographer Moose Peterson is from a few years ago but if you haven't seen it yet, it has some great advice on how to capture gorgeous landscape photos.

Blaine Harrington  |  Jul 03, 2015  | 

You might say that images from distant, exotic locations are the stock and trade of a professional travel photographer, and certainly in my case you’d be mostly right. Those images pay off commercially and artistically, and when I can make them in places I’ve never before visited, they provide the added satisfaction of exploration and discovery.

Josh Miller  |  Jul 01, 2015  | 

I think I speak for nearly every photographer when I say going to a new location excites me, especially if it is one I have dreamed about for years. We all dream of these once-in-a-lifetime photo adventures. But the truth is for most photographers, the majority of our shooting is actually done in locations that are closer to home and allow us to return more regularly.

Chuck Gloman  |  Jun 30, 2015  | 

The Arctic National Wildlife Refuge (ANWR) in northeastern Alaska consists of 19,286,722 acres along the Alaskan North Slope, and supports a greater diversity of flora and fauna than anywhere else in the Arctic Circle. It was established in 1960 and is governed by the U.S. Fish and Wildlife Service. It receives only about 1,500 visitors a year.

Barry Tanenbaum  |  Jun 26, 2015  | 

Pro photographer Jim Reed’s specialty is images of severe and unusual weather; in short, he’s a stormchaser.

Cynthia Boylan  |  Jun 25, 2015  | 

Capturing the fleeting moments of a wave's journey to dissipation, award-winning photographer Ray Collins feels much more at home in saltwater with his camera than on land. Photographing the relationship between water and light is what inspires him.

George Schaub  |  Jun 24, 2015  | 

Exposure systems in digital cameras are highly sophisticated components that can analyze light, contrast, color and all the aspects of a photo instantly. Yet with all the automation and computerization there’s still the need to understand how to get the most from all the available options, to know when to choose a particular mode or metering pattern, when you can rely on automation and when you need to step in to get the best exposure possible. This set of tips deals with the creative use of the various Exposure modes, metering patterns, bracketing features and more.

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