Mirrorless Camera News

You're in for a surprise if the important concept of "diffraction" is unfamiliar because this optical phenomenon, or spreading of light waves, has likely degraded some of the photos you captured in the past. The problem typically occurs when shooting with small apertures and image softening is the result—especially in areas of high-contrast.

Experienced landscape photographers understand the importance of a concept known as "hyperfocal distance" that enables them to maximize depth of field by using appropriate aperture settings and focusing on a specific point within the frame, namely, somewhere between foreground and background depending upon the image at hand.

All photographers strive for perfectly sharp photos, and this task can often be difficult depending on the subject at hand and the situation we confronts. Consistently achieving precise focus isn't about owning a great camera, but rather understanding how autofocus really works and knowing how to use it properly and the best settings to use.

A firm understanding of Dynamic Range is super important for achieving optimum results, yet this key element  is often ignored. In fact, this crucial concept is one key to capturing well-balanced, high-quality images that make you proud.

Yesterday we provided an important warning about the finite lifespan of your camera and why  it's essential that you check shutter count regularly to anticipate costly repairs, missed shots on location, or even a total breakdown. We're following up on that today with a couple less-dire maintenance hacks from pro Andy Rouse.

Exposure bracketing is a powerful technique that enables you to achieve a perfect exposure when shooting in difficult light, like complicated outdoor scenes with a wide range of tones from bright highlights to deep shadows. Today's comprehensive beginners guide comes to us from The School of Photography (TSoP)—an amazing source of online courses and a leading provider of education to schools and colleges in the UK.

We've all heard the blather from so-called purists who insist that "you're not a real photographer unless you shoot in Manual mode."  Well, some beg to differ, including today's instructor Simon d'Entremont who explains why many pros (including himself) prefer Aperture Priority (AV) mode instead.