7Artisans just released the updated Mark II version of their popular 7.5mm f/2.8 Fisheye lens and it’s about the most fun a photographer can have for $139. We borrowed an early sample in Fujifilm X mount and here’s what we discovered.
Tamron just announced the world’s first f/2.8 lens in the 17-70mm zoom range for Sony mirrorless cameras. Focusing as close as 7.5 inches and measuring just 4.7-inches long, the new zoom features advanced image stabilization that is AI-enhanced when shooting video. We tested the Tamron 17-70mm f/2.8 on Sony cameras with APS-C sensors and with Full Frame sensors. Here is what we found.
After shooting with Nikon’s extraordinary AF-S Nikkor 180-400mm f/4E TC1.4 FL ED VR lens last year I wondered what their next telephoto zoom lens would be. We didn’t have to wait long, because hiding in the wings was the fast and powerful Nikkor AF-S 120-300mm f/2.8E FL ED SR VR.
One of the most common questions we get from beginner photographers is: What's the best lens to get started in portrait photography? Of course, there's no right answer to this question. Some beginner portrait photographers are fine with the basic kit zoom lens that came with their camera. Others want to try something higher quality.
When Sigma decided to extend its esteemed Contemporary line of broad-spectrum lenses to include a full-frame 100-400mm long-range telephoto zoom, they handed their optical engineers a tough assignment: come up with a really long 4x zoom that delivers outstanding imaging performance and enhanced shooting flexibility in a compact, well-balanced, lightweight package optimized for handheld shooting. In other words, they wanted a lens that would expand the long tele zoom market by appealing to travelers, nature, wildlife, and street photographers, hikers, sports shooters and others daunted by the prospect of toting and hefting a ponderous telephoto zoom lens.
Sigma recently introduced the 105mm f/2.8 DG DN macro lens for L mount and Sony FE mount mirrorless cameras. It focuses continuously down to life-size (1:1 reproduction ratio) at the minimum focusing distance of 11.6 inches and offers considerable versatility beyond macro applications. We took a thorough look at the Sigma 105mm f/2.8 DG DN macro lens in a Sony mount for this hands-on review.
Few things are as exciting as using a brand new lens for the first time. To photographers, a new lens is like an empty canvas to an artist, or a fresh storyline to a novelist. Fortunately, despite the unsettled tenor of the world situation, 2020 has witnessed an outstanding and diverse collection of exceptional lenses.
Shutterbug once again worked with EISA, the world’s largest independent collection of magazines and websites focusing on consumer electronics, to select the ten best lenses of 2020. Here are our choices. As a voting member of EISA, Shutterbug helped choose these outstanding lenses, which we feel are the best you can buy right now.
Our choices for the ten best lenses you can buy in 2020 run the gamut from super wideangle to super telephoto, and one thing is certain: not one of them will disappoint you. So, take a look at our choices for the ten best lenses of 2020 below (with links to where you can purchase them) and find something amazing to start shooting with today.
At first glance, the Sigma 45mm f/2.8 DG DN seems to be a run-of-the-mill, reasonably fast normal lens designed to cover the full frame format. In fact, its 45mm focal length is closer to normal than the classic 50mm, as determined by the diagonal of 24 x 36mm frame, which measures 43.26mm.
Just introduced, the compact Tamron 70-300mm f/4.5-6.3 Di III RXD zoom for Sony full-frame mirrorless cameras has an affordable ($549) price tag. It’s eighth in the series of Tamron lenses made specifically for Sony E-Mount cameras, and it’s the world's smallest and lightest telezoom in its class.
The Nikon AF-S Nikkor 180-400mm f/4E TC1.4 FL ED VR, by its name alone, sounds like something special. And for those who love wildlife or sports photography, this lens may, indeed, be something special.
Tamron recently released a fast, super-compact 28-200mm f/2.8-5.6 zoom lens for Sony mirrorless full-frame E-mount cameras. Unique among all-in-one type zooms because the maximum aperture is f/2.8 (at the wideangle 28mm setting) the lens has other attractive features that we evaluate in this review.
Tamron recently released a fast, compact 70-180mm f/2.8 zoom lens for Sony mirrorless full-frame E-mount cameras. It’s billed as the most compact and lightest f/2.8 telephoto zoom lens in its class. We had a chance to test this lens on a Sony Alpha a7RII camera. Here is what we found.
Portraits, close-ups and numerous other creative compositions—the Lensbaby Velvet 85 does it all. Here’s a thorough review and several examples shot with this exciting lens.
Making a lens sharp and acceptably free of aberrations is hard. Very hard. Making a lens that can be both tack-sharp and intentionally soft, pleasantly unsharp and able to exploit the native beauty of certain optical aberrations is even harder. Then there’s Lensbaby.