The Nikon 1 J1 was Nikon’s first Compact System Camera (CSC), introduced in 2011/2012. The new J3 has a new image sensor with higher resolution (14MP instead of 10MP) and some additional features. It is still a very compact camera and just about the smallest CSC system now available.
The Nikon J5 is the newest in Nikon's 1 series mirrorless camera line and is the first in the series to offer 20MP resolution. (Note: the first Nikon 1 cameras had 10MP, while the most recent, the V3, had 18MP resolution). Compared to APS-C sensors with about 23.5 x 15.6 mm and Micro-Four-Third cameras with 17 x 13 mm, the J5 has a smaller sensor at 13.2 x 8.8 mm, Nikon’s CX format. The crop factor is nearly 1:2.7 which means that the “effective” (defined as the 35mm format equivalent) focal length of the kit lens (1 Nikkor 10-30mm f/3.5-5.6 VR) is about 27-81 mm. The camera has a very slim and compact design, which allows for easy transport and usage, similar to a compact camera.
The S1 is the brand new entry-level camera in Nikon’s 1 series. With a sensor resolution of 10 MP it offers the same nominal resolution as the first Nikon 1 cameras, the 1 J1 and 1 V1, which were launched in 2011.
The Nikon V1 camera is designed and sized like a compact camera. It offers a new lens mount system for the new Nikon 1 lenses and offers two viewfinder systems—an EVF (electronic viewfinder) with very high resolution (1.44 million RGB dots), which delivers a very brilliant and crisp image. Alternatively, users can work via a large and bright LCD on the back, which also offers high resolution (921,000 RGB dots). The sensor will switch automatically between viewfinder systems when the photographer looks through the ocular. This differs from the camera’s sibling, the J1, which offers LCD viewing only.
Compared to the first generation of Nikon’s compact system cameras, the V1, the design of the V2 has changed radically. Instead of a small body with minimized dimensions, it has attained extra girth, although we feel it has also acquired better handling agility as well.
If you’re considering buying a high-resolution full-frame camera, you’ve likely considered both the Nikon D850 DSLR or the Sony A7R III mirrorless camera.
Here it is, folks: the ultimate full frame camera shootout many photographers have been waiting for. Tony & Chelsea Northrup put the 45MP Nikon D850 DSLR against the 42MP Sony A7R III mirrorless camera in the below comparison video.
It was a pleasure shooting with the original Nikon Z6 mirrorless camera when I reviewed this affordable model just about two years ago, so it was a pleasant surprise when the new upgraded Nikon Z 6II arrived at my door. The original Z6 scored high marks for it’s compact size, rugged build, pleasing image quality, and versatility—especially for the uncommon price of $1,995 for a full-frame camera.
Back in January I reviewed Nikon's tiny Z50 mirrorless camera, an APS-C sensor format model targeted at budget-conscious photographers or those buying their first interchangeable lens digital camera. And it performed so well I was actually sad to return it. But Nikon has been busy, and within a week the new full-frame 24.3MP Nikon Z5 arrived on my doorstep to test out.
Nikon, long favored by pros and advanced amateurs for cameras with state-of-the-art capabilities, has recently targeted budget-conscious photographers with mirrorless models offering an uncommon combination of value and price. A year ago, I reviewed the Nikon Z6, a nimble, full-frame mirrorless camera at a price of $1,995 for the body. While that camera was considerably less expensive than more advanced Nikon models, it’s more than twice the cost of the new Nikon Z50 that we’ll look at today.
When Nikon announced the first two models in their new Z Series of full-frame mirrorless cameras, they provided an intriguing choice for both advanced amateurs and pros. The Nikon Z7 features a 45.7MP sensor for those photographers who desire maximum resolution, while the new Z6 is a more nimble, 24.5MP model that Nikon describes as the perfect “all-rounder.”
Photo manufacturers released some amazing new flagship cameras last year: the Nikon Z9, Sony A1 and Canon EOS R3. All three models feature top-of-the-line technology designed for serious photographers, which begs the question: which camera is best?
The Olympus E-P3 is the follower of the E-P2 and E-P1, the first Olympus Micro Four Thirds cameras that were offered as “retro style cameras”. The E-P3 offers the same image sensor as the E-P2, with a nominal resolution of 12MP, but the E-P3 uses a newly developed image processor unit called “TruePic VI” plus offers some enhancements in the AF-speed. The automatic focusing system is really fast and showed a very good performance during our tests. In addition it has some special modes like “AF tracking mode”, which will help both photographers and videographers.
The Olympus E-P5 has a classic viewfinder camera design but doesn’t have an optical or electronic viewfinder. It does have a swivel monitor which can be folded up- and downward and offers very high resolution (1,037,000 RGB dots). Its 3:2 aspect ratio shows additional information on both sides of the viewfinder image, which has an aspect ratio of 4:3 when taking images in the highest image resolution setting. By pressing the “OK” button in the center of the control field additional parameters are shown as overlays on the right-hand side of the live view image.