Digital Darkroom

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Paul Mozell  |  Sep 01, 2004  |  1 comments

Very few people would dare to ask this question, "Is digital better than film?" just a few years ago when the only cameras that could produce a digital file with qualities that approached film's capabilities cost in the neighborhood
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Joe Farace  |  May 01, 2007  |  0 comments

One of the easiest ways to improve your images is to use lens filters, but like so much in the photo world, life is rarely that simple.

Jon Sienkiewicz  |  May 01, 2007  |  0 comments

Stop shooting! That’s the first thing to do when you accidentally delete an image file or inadvertently format a memory card full of images.

David B. Brooks  |  Feb 01, 2005  |  0 comments

All Photos © 2004, David B. Brooks, All Rights Reserved

The December 2001 issue of Shutterbug I reported on my trials and experiments with different methods of printing black and white photographs with ink jet printers. Today the challenge to a photographer using a digital darkroom who wants to do black and white prints remains similar to what it was three years ago.

David B. Brooks  |  Dec 01, 2001  |  0 comments

The output device for most digital darkrooms has become the photo-realistic ink jet printer. The printers that are designed to produce high quality photographic image reproduction are primarily color printers. They can be used for a wider...

Joe Farace  |  Mar 01, 2006  |  0 comments

"There is nothing worse than a brilliant image of a fuzzy concept." --Ansel Adams

It could be that the sainted Adams meant a fuzzy image of a brilliant concept, but we'll never know. This month's column looks at using imaging software to blur an image and was inspired by a letter from reader Carol Baker. As a movie buff you gotta know...

Howard Millard  |  Sep 01, 2005  |  0 comments

They're both round and have a hole in the center. But are CDs and DVDs really digital life preservers? How long will they last? What are the safest and most reliable brands? What about hard drives--how safe are they? What can you do to best preserve your digital images and data? What are the best media to buy, how should you store them, and how do you archive and...

Steve Bedell  |  Mar 01, 2000  |  0 comments

I have to admit something to you. About five years ago, when it was becoming very evident that digital technology would become increasingly important for the imaging professional, I tried to look the other way. I figured it would be a niche market. If they...

David B. Brooks  |  Mar 01, 1999  |  0 comments

For photographers one of the greatest advantages of digital photo processing is the ability to do all of your retouching, repair, and spotting just once and store it permanently in a computer file. Then, every print or other reproduction of the image is...

Jay Abend  |  Apr 01, 2001  |  0 comments

Oh, what a world we live in. Cell phones the size of a pack of chewing gum, 200 channels of cable TV, the Internet and digital cameras that anyone can afford. As technology marches forward everyone seems to get all wrapped up in the hardware...

Ellen Anon  |  Nov 01, 2005  |  0 comments

As more and more images are made digitally, whether directly from a camera or via scans, photographers, educators, and lecturers of all sorts are creating and displaying digital slide shows using a host of different projectors. It's even becoming difficult to find slide projectors at some venues. Yet, many digital photographers are horrified the first time they project their...

Jon Sienkiewicz  |  Nov 10, 2023  |  0 comments

If you geek out (like we do) over the technology tools that power our digital photography habit, you will fanatically Jones over OWC. In the sleepy little town of Woodstock, IL a wide awake company called Other World Computing offers just about everything a photographer, computer maven, Apple fan or Mac freak could ever want.

Howard Millard  |  Nov 01, 2004  |  0 comments

Could your portraits be enhanced by the mysterious, otherworldly glow of a black and white infrared (IR) effect? In the past, pre-digital darkroom, the only way you could get the IR look was shooting special IR film, quite a challenge to expose, process, and print correctly. Working digitally you can avoid many of the pitfalls and gain...

Joe Farace  |  Mar 01, 2000  |  1 comments

It will probably come as no surprise to Shutterbug readers that digital cameras are now the number one computer peripheral. One of the things that people like to do with any kind of photograph--digital or otherwise--is to share, print, and frame them. This...

Joe Farace  |  Mar 01, 2005  |  0 comments

All Photos © 2004, Joe Farace, All Rights Reserved

The biggest challenge when photographing cars at auto shows--indoors or out--is dealing with cluttered backgrounds. In the past I've used low angles, high angles and postproduction techniques to blur the setting and add some zoom-zoom. That approach shifted my focus from the subject to its surroundings...

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