Photoshop’s Selection tools offer a variety of ways to improve an image. They enable you to lighten or darken one portion of a scene without affecting the rest of the image, selectively adjust colors, remove distracting elements, or cut out an object from one photo and place it on another.
In case you haven’t checked the calendar recently you can kiss winter goodbye, because spring officially begins Sunday. And that means it’s time to dust off a macro lens and bone up on your skills.
Most of us have experienced the frustration of returning from a shoot, uploading our images to the computer, and discovering that some of them are darker than we’d like. There are several ways to recover shadow details in an image, and the method you’ll learn today is one of the easiest and most effective.
The seasons are changing, with spring less than a week away. Today one of our favorite outdoor shooters explains how to make the most of what is many photographers’ favorite time of year.
By now you’ve probably realized that some images look better in b&w than they do in color. You can always set your camera to monochrome, but most photographers prefer shooting in color, and making the conversion during the editing process, so they have a choice of which look they prefer.
Sooner or later every photographer’s creative vision runs dry, whether they’re an avid amateur or a working pro. The quick tutorial below provides a heavy dose of inspiration for the next time you run out of ideas.
Last week we featured a popular tutorial, explaining how to avoid common shooting errors that can be real image killers. Today were turning to the processing side of our craft, identifying six common image-editing mistakes that are easily fixed.
If you’ve never made a composite image of two or more photos, you’re in for a treat. That’s because today’s comprehensive tutorial explains everything necessary to blend images and make perfect composites in Photoshop.
Obtaining properly exposed photos can be difficult when shooting outdoors under ever changing light. This is particularly true when photographing birds and other forms of wildlife that often move quickly from sun to shade.
Today we’re not going to get into another discussion of the many advantages of Raw files compared to JPEGs. Let’s just assume that, for whatever reason, you shot a bunch of JPEG images and they look really awful.