Steve Meltzer

Steve Meltzer  |  Jul 10, 2015  |  0 comments

Here at Shutterbug we like to keep an eye on the selfie photography phenomenon in all its wacky strangeness. We’ve reported on everything from Olivia Muus’ spoof of famous museum portraits taking selfies to the hilarious, faux PSA warning of selfie stick abuse.

Steve Meltzer  |  Jul 08, 2015  |  0 comments

Ernst Haas was a pioneering photographer who broke through the black-and-white glass ceiling with his superb color photography. He changed the way color was thought of and how it was used. And the change began in 1953 when his color work burst on the scene when Life magazine published Haas’ stunning color essay about New York titled “Images of a Magic City.”

Steve Meltzer  |  Jul 01, 2015  |  0 comments

Social documentary photographer Larry Fink, who’s well known for his striking black-and-white images of high society and the down-and-out, was honored at the 2015 Infinity Awards gala at the International Center for Photography a few months ago. In attendance at this sumptuous event were celebrities including the model Naomi Campbell, the actor Alan Rickman and photographers Steve McCurry, Susan Meiselas, Sylvia Plachy and others.

Steve Meltzer  |  May 06, 2015  |  0 comments

Photographer Josef Sudek is called the Poet of Prague because in tens of thousands of luminous images he captured the timeless soul of this city that is known as “The Jewel of Europe.” Sudek ceaselessly photographed the city’s streets, its forests and its atmosphere. But unlike Eugene Atget’s photgraphs of Paris, Sudek’s images transcend place and time and are meditative visions of light itself.

Steve Meltzer  |  Apr 24, 2015  |  0 comments

This Sunday, April 26th is the 15th Worldwide Pinhole Photography Day (WPPD). It’s a celebration of image making and everyone in the world is invited to take part. Be one of those photographers who rediscover the magic of photography by viewing the world through a tiny low-tech pinhole camera.

Steve Meltzer  |  Mar 31, 2015  |  0 comments

A few weekends ago, the French Culture Minister Fleur Pellerin visited Paris’s spectacular Musée d’Orsay to see an exhibition of art by the Post-Impressionist painter Pierre Bonnard. The d’Orsay houses France’s largest collection of Impressionist and Post-Impressionist art and for years it has had a strict ban on photography. However when Madame Pellerin arrived at the show she liked what she saw so much she photographed several of her favorites and posted them to her Instagram feed.

Steve Meltzer  |  Mar 04, 2015  |  0 comments

Roberto Neumiller is one angry photographer. A well-respected photojournalist based in Paris, Neumiller went to the African Sahel in 2006 where he photographed the daily lives of workers in the region. When the images were originally published they were widely praised.

Steve Meltzer  |  Mar 04, 2015  |  0 comments

My dog-eared copy of Josef Koudelka’s Gypsies sits in the bookcase next to Cartier-Bresson’s Decisive Moments and Robert Frank’s The Americans. Like those books, it was fundamental to my development as a photographer. From the moment I saw it I was mesmerized by its stunning black-and-white images. Published by Aperture Books in 1975, it contained page after page of Koudelka’s dark and brooding photographs of European gypsies; the Romani or Roma people.

Steve Meltzer  |  Feb 25, 2015  |  0 comments

The mayor of the Belgian town of Charleroi, Paul Magnette, admits he’s not an expert on photography but he says he does know bad journalism when he sees it. And he knew he had to act when he saw that Italian photographer Giovanni Troilo had won first prize for "contemporary issues” in the prestigious World Press Photo's contest for his bleak photo essay about Charleroi called “The Dark Heart of Europe.”

Steve Meltzer  |  Jan 14, 2015  |  0 comments

An American Odyssey (Taschen 2014) is a spectacular photo scrapbook voyage across turn-of-the-century America. Gathered from the 19th and early 20th century “color” print and picture postcard collection of photographer Marc Walter, with the assistance of documentarian Sabine Arqué, it is a huge 612-page coffee table book that tips the scales at nearly 16 pounds.

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