Jon Sienkiewicz Blog

Tamron just introduced the 11-20mm f/2.8 Di III-A RXD fast-aperture, ultra-wideangle zoom lens for the Fujifilm X-Mount, and Shutterbug was able to take it for an extended spin. Although it covers more than 105° at the 11mm focal length, it features close-focusing down to 5.9 inches, prompting us to propose that it enables a wholly new type of photographic composition: Ultra-Wide Closeup.

Addressing a very real but virtually ignored need felt by female photographers, Shimoda Designs is offering five of their most popular and requested pack sizes outfitted with a new women-specific harness and an exclusive teal colorway. The Shimoda Women's Collection consists of female-friendly designs based on the Shimoda Explorer V2 and Shimoda Action X V2 models.

Adobe just added several exciting new features to the beta version of Photoshop. The most significant is Firefly-powered Generative Fill, the ability to select any item in an image and replace it with a different object based on the prompt you type into a dialog box.

Peak Design just announced the presale Kickstarter launch of the Micro Clutch, a minimalist hand strap specially designed for today’s mirrorless cameras. Shutterbug had the chance to use a sample for a few weeks and it looks like PD has hit Pay Dirt once again.

Leica just announced the Leica M11 Monochrom, the B&W-only version of their M11 flagship digital rangefinder camera, and Shutterbug had the opportunity to test run a production sample early on in the release cycle. Our conclusions are not as simple as black and white.

You’ve probably seen dramatic waterdrop images like this one and sensibly assumed that it took years of experience and thousands of dollars in equipment to get similar results. Frequent Shutterbug Photo of the Day contributor and long-time photography professional Jeff Van Scoyk introduced us to the Miops Splash, the $150 photo accessory for controllable waterdrop photography.

Here is my dilemma. Since discovering OpenAI’s DALL•E 2 image generator a few weeks ago, I’ve had good success and great fun creating images I’m truly proud of. No, it’s not photography, but it’s still pretty amazing. More importantly, however, it raises a fundamental question: Is it ethical to publish AI-assisted images instead of photos of living, flesh and blood models, even with clearly-worded disclaimers? Frankly, I’m torn by this predicament.