One of the most important skills in the early development of all photographers is knowing how to interpret the light falling on a scene, and then choosing the camera settings that will result in a perfectly exposure photo. With a bit of knowledge and practice, this quickly becomes second nature—enabling you concentrate on other key variables that make up a great image.
Yesterday we featured a primer on exposure bracketing, explaining how to get the light right by shooting three images of the same scene, and merging them during the editing process. Today you'll learn how nail exposure in the camera by using the oft-ignored histogram that you can set to appear on the rear LCD.
Dynamic Range is a very important concept to understand when evaluating the performance of your camera or purchasing a new one. This specification is also a key aspect when editing your photos, as you’ll see in the tutorial below.
Like many photographers using APS-C cameras you may be thinking about “moving up” to a full-frame model, while sifting through all the pros and cons before pulling the trigger. There’s a long list of variables to consider, including one that may not have to your attention.
Do you want to be more creative and capture images that stand out from the crowd? One way to do that is by gaining a full understanding of the relationship between aperture and shutter speed as pertains to whatever you’re shooting.
One way to speed up processing time in Lightroom is to create your own presets for similar types of images. With this approach you can simply apply the preset to every image in a series, rather that making individual adjustments to a variety of parameters for every shot.
Last week we discussed the basics of depth of field, a key concept enabling you to capture better images. Today we’ll explore the topic further, through the eyes of an experienced pro.
Whether you photograph portraits in the studio or wildlife in the field, a daylong shoot usually results in the onerous task of culling through dozens if not hundreds of images to select the best shots.
Though it's a commonly used term in the photography world, opinions vary on how the word “bokeh” should be pronounced. The term is said to come from the Japanese word “boke,” which translates as “blur” or, in some cases, “senility.”
Smartphones have gotten really good at shooting photos but how good? In the below video, photographer Pierre T. Lambert pits an $800 Google Pixel 4 smartphone against his trusty $5000 Sony A7R III & 16-35mm f/2.8 lens combo in a series of photo challenges.
On face value, this would seem to be a silly challenge and in many ways, it is. But silly is good and Jim Goldstein of All Things Photo offers this fun and interesting video comparison between the then cutting edge Canon D2000 from 1998 and today’s Canon 5DS R, a modern 50-megapixel full frame monster.
In 1960 Kennedy was elected President, a gallon of gas cost a quarter, Alfred Hitchcock’s film “Psycho” was released, and photography was a whole lot different than it is today. To see just how different, watch the nostalgic short film below.
Should you emphasize the foreground in landscape photos, strive to balance nearby objects with those in the distance, or eliminate the foreground altogether? That obviously depends upon the scene. The tutorial below explains how to make this important decision for the best possible results.
Getting the light right is perhaps the most essential component of all great images, whether they're captured indoor or out. But there's another crucial component that can really add depth and impact to a photo, namely the thoughtful use of shadows.
If you're unsure sure how to use a camera's White Balance settings to modify the look of an image, the quick tutorial below is just what you need to eliminate the confusion. You'll also receive a clear answer to this common question: "WTF are Kelvins?"