Lens News

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Shutterbug Staff  |  Apr 25, 2019  |  0 comments

Tamron just announced the launch of a new zoom lens, the 35-150mm F/2.8-4 Di VC OSD (Model A043), for full-frame DSLR cameras. The new Tamron 35-150mm lens goes on sale May 23, 2019 in a Nikon mount version, and June 20, 2019 in a Canon mount version for $799.

Shutterbug Staff  |  Apr 25, 2020  |  0 comments

The Tamron 20mm f/2.8, 24mm f/2.8 and 35mm f/2.8 prime lenses have a lot in common. All three are fast, compact and designed for full-frame Sony mirrorless cameras. And all focus as close as just a few inches.

Dan Havlik  |  Sep 12, 2014  |  0 comments

n lens development news, Tamron said it’s creating a new ultra wide-angle zoom lens for full-frame DSLRs with a fast F/2.8 aperture and VC (Vibration Compensation), which the company claims would be the world’s first in this category.

Joe Farace  |  Dec 11, 2018  |  0 comments

Tamron’s new SP 15-30mm f/2.8 Di VC USD G2 lens ($1299) continues a trend that many camera and lens manufacturers have embraced in recent years. This new Tamron 15-30mm lens is fast, big, expensive and designed for photographers who expect optical excellence. As part of Tamron’s Di lens series, the SP 15-30mm f/2.8 Di VC USD G2 is available for Canon and Nikon full-frame DSLRs and APS-C cameras where it produces a 24-48mm equivalent focal length range.

Jack Neubart  |  May 13, 2015  |  0 comments

I thought that Tamron had outdone itself first with its 70-300mm lens and then with the 24-70mm f/2.8  and 90mm f/2.8 Macro lenses: all bearing the SP (super performance), VC (vibration compensation), Di (digitally integrated primarily for full-frame sensors), and USD (ultrasonic silent drive) monikers. There are of course other noteworthy lenses in the lineup, but these are the ones I tested for Shutterbug. Now comes the impressive Tamron SP15-30mm f/2.8 Di FC USD, which the company first previewed way back at photokina 2014. With this lens Tamron has created a near-flawless masterpiece in optics that simply blew me away!

Ron Leach  |  Mar 17, 2017  |  0 comments

I tend to travel on the wide side when it comes to lens selection, so it was exciting to get a hold of Tamron’s new super telephoto zoom—the SP 150-600mm f/5-6.3 Di VC USD G2 (Model A022). And what better way to give this big beauty a try than to take it on safari? Admittedly, this “safari” was of the local variety with a quick trip to the recently renovated Audubon Zoo barely two miles from my home in New Orleans. I also spent an afternoon with the Tamron 150-600mm G2 ($1,399) on one of the many bayous running through Southern Louisiana to shoot some gators and less exotic wildlife.

Jack Neubart  |  May 06, 2013  |  First Published: Apr 01, 2013  |  3 comments

The difference between a “constant” aperture zoom and other standard zooms is that when you increase the focal length on the standard zoom the maximum aperture narrows. This might make the difference between being able to hand hold or not when zooming in, and may indeed force the use of higher ISOs. Known as “fast” lenses, constant aperture zooms are pricier and bulkier than their variable-aperture counterparts. And to sweeten the pot, we’ve seen more and more fast lenses with built-in image stabilization, which gets you even more low light and steady shot capability.

Jon Sienkiewicz  |  Jul 25, 2019  |  0 comments

This year marks the 40th anniversary of Tamron’s SP (Superior Performance) lens series. They elected to commemorate this special occasion by introducing what they have labeled “the ultimate Tamron lens” in the form of the new SP Tamron 35mm F/1.4 Di USD (Model F045) prime lens in Canon EF and Nikon F mounts. 

Jon Sienkiewicz  |  Sep 17, 2015  |  0 comments

To make a better lens, one that avid photographers might even be inclined to leave on their DSLR camera permanently, Tamron set aside all of their former notions about lens design and construction and went straight back to the basics with the new Tamron SP 35mm f1.8 Di VC USD (Model F012) and SP 45mm f1.8 Di VC USD (Model F013) prime lenses, which are the subjects of this review. 

Ron Leach  |  Jun 14, 2017  |  0 comments

One lens that should be in the arsenal of every photographer is a moderate telephoto zoom like a 70-200mm. Lenses in this category offer a great compromise between power, mobility, and versatility. They enable you to get in tight on nearby subjects, and unlike longer telephoto zooms, moderate telephotos are relatively lightweight, compact, and easy to carry.

George Schaub  |  Dec 17, 2013  |  First Published: Nov 01, 2013  |  1 comments

The 70-200mm focal length has been the standard tele-zoom choice for many years, offering near normal to a good tele range that suits many practical purposes. Yet, quite a few stock-in-trade 70-200mm lenses had been slow or lost significant aperture as soon as you left the shortest zoom setting, making them a real challenge for handheld, low-light, or even max focal length shooting. Certainly, improvements in sensors and processors in terms of the high ISO/image quality ratio have helped. If you’re too slow on shutter speed with a variable aperture zoom you can always jack up the sensitivity. But that’s not always a great choice and it seems to force you to compromise image quality just to make up for the lens losing “speed” just when you need it most.

Joe Farace  |  Jun 24, 2016  |  0 comments

If you read my article “Sweet Glass: My 10 Favorite Lenses For Portrait, Boudoir & Wedding Photography” you know I’m fond of the 85mm focal length for portraiture. If you didn't read it, please check it out after reading this review. And Tamron’s SP 85mm f/1.8 Di VC USD lens surely rings this bell. It’s available for Canon, Nikon and Sony mounts and as part of Tamron’s Di family is designed to work with APS-C format and full-frame SLR cameras. I tested the Canon EF version ($749.)

Jack Neubart  |  Apr 04, 2016  |  0 comments

I’ve always preferred longer focal-length macro lenses in the 90-100mm range because they give you more breathing room between the camera and skittish subjects than does standard (50/60mm) macros. No wonder, then, that one of my earliest lenses was the original Vivitar Series 1 90mm f/2.5 macro, which I first paired with a Minolta SR-T 102. I burned plenty of Kodachrome with that glass.

Jack Neubart  |  Mar 17, 2014  |  First Published: Feb 01, 2014  |  0 comments

When my fascination with macro began all my work was done by available light. Getting sharp images at life-size magnification took all the resolve I could muster, especially when dealing with heat and humidity or frigid conditions. It’s tough to hold a camera steady in those situations. What I wouldn’t have given for image stabilization!

George Schaub  |  Apr 06, 2009  |  0 comments

There was time when those seeking super-wide lenses for APS-C size sensor cameras didn’t have much choice, but new light gathering systems that distribute light evenly from lens to sensor, as well as new optical formulas from camera makers and independent lens manufacturers, have changed that point of view. The latest in this welcome new class of glass is from Tamron, with their 10-24mm f/3.5-4.5 offering. Priced at around $500 (street) and weighing in at about 14 oz., the Tamron 10-24mm is useable for cameras that require “motor in the lens” operation, such as the Nikon D40X, on which this lens was tested.  The DiII designation tells you that this lens is for digital SLRs with APS-C sensors.

 

 

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