The Goods is a new feature in Shutterbug that spotlights the hottest premium photo gear out there. If you have a product you’d like considered for The Goods, e-mail images and info to editorial@shutterbug.com.
THE GOODS is a new feature in Shutterbug that spotlights the hottest premium photo gear out there. If you have a product you’d like considered for The Goods, e-mail images and info to editorial@shutterbug.com.
If you ask a bunch of accomplished landscape photographers to name their most difficult challenges, they'll likely express two key considerations. One is arriving at a correct exposure in scenes with a wide-range of tones from bright highlights to deep shadows. Another is achieving sharp results when there are a number of objects within the frame.
The first digital Leica M with a full-frame, 24x36mm sensor (active area 23.9x35.8mm), the M9 offers 18-megapixel capture and unrestricted coverage with nearly the entire range of Leica lenses past and present, including extreme wide angles.
Perhaps even more important, the M9’s exclusive 18-megapixel CCD, developed by Kodak with input from Leica, has addressed the foibles that...
Leica today unveiled an innovative mirrorless camera, the Leica TL, which offers an impressive array of features and a gorgeous titanium-anodized body crafted in Germany from a solid block of aluminum.
One of the more interesting Kickstarter projects we saw at Photokina last fall was the versatile MIOPS Mobile Remote, enabling users to control DSLR and mirrorless cameras via Bluetooth with a robust smartphone app.
“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance.”—W. Eugene Smith
Most of my columns for this website concern the ideas and purposes behind the photographs I take. I always include information about the technology used to achieve the photos, which could be as basic as the f/stop chosen to direct your attention, or the use of a ND filter to make a long exposure possible. That approach is not incidental or coincidental; the stories are planned along those lines because my ideas come first, and technology’s purpose is to support those ideas.
When creating their mirrorless camera system, Panasonic wisely, I think, chose the Micro Four Thirds format rather than designing an all-new proprietary lens mount. The system includes two dozen or so Lumix lenses, including conversion lenses, along with adapters for Leica R and M mount lenses, Four Thirds digital SLRs, plus the ability to use lenses from Olympus, Sigma, and Tamron. The Micro Four Thirds system is here to stay and the Lumix DMC-G5 seems a perfect way to jump on board.
The Pentax K-01 belongs to a class of cameras generally known as “mirrorless”—Pentax calls it a hybrid—that combine large LCD screens with interchangeable lenses and more often than not a retro look. Marc Newson, the Australian industrial designer who crafted the Pentax K-01, works in a style called biomorphism that uses smooth flowing lines, translucency, and an absence of sharp edges. The camera is available in black, white, or Newson’s signature yellow with the designer’s logo on the bottom.