Whether you’re shooting portraits of a beautiful model, or wildlife in the field, one way to turn a good image into a great one is to capture some life in your subject’s eyes. While that’s not always possible when photographing animals in the field under difficult light, it’s easy to add a bit of eye-popping sparkle when editing your images later.
Iconic photojournalist Robert Capa once said, “If your images are not good enough, you’re not close enough.” That’s why many of us try to shoot as close as possible to our subjects and fill the frame.
There's a lot of hype about the "superiority" of full-frame cameras these days, and it's important to separate the marketing chatter from the difference in sensor size as pertains to your particular style of photography. If you're thinking about "stepping up" we encourage you to watch this video before making the switch.
The current trend in cameras is clearly moving in the direction of full-frame mirrorless models with super-high resolution, and the megapixel race shows no signs of abating. But is this based upon sound photographic principles, or does creative marketing and the “Gear Acquisition Syndrome” factor into the equation?
So you have a bit extra cash to spend on photo gear, and you’re about to go shopping. Before you do we want to remind you of something we’ve stressed in the past; namely, it often makes far more sense to upgrade your optics than it does to invest in a new camera.
Selecting the appropriate shutter speed for a given scene is important for most types of photography if you want the best possible results. This decision is important with landscapes and wildlife shots—particularly when shooting hand-held, for scenes with motion, and while using long lenses.
During a visit to the Nature and Raptor Center of Pueblo, a bird sanctuary in Pueblo, Colorado, Shutterbug reader Michelle Goodall captured this magnificent bald eagle image: “How could anyone resist taking a photo of something so beautiful?”
Last week we featured a tutorial explaining how photographers of all skill levels can shoot impressive wildlife photos with whatever cameras they own. Today we're moving on to the next step in the process with a straightforward lesson on enhancing these great images in Lightroom.
In terms of extreme locations, you can’t pick a place much more remote than the Falkland Islands. Located 300 miles off the tip of Argentina in the South Atlantic Ocean, the Falkland Islands consists of two main isles—East and West Falkland Islands, plus 776 smaller islets, covering 4,700 square miles.
Ron Magill is a trained zoologist and the communications director of the Miami-Dade Zoological Park and Gardens—Zoo Miami for short—and if you think that gives him an advantage when it comes to taking outstanding wildlife images, you’re right. But don’t turn the page. What’s needed to get a share of the wildlife “Wow!” factor is technique, access, and information that’s available to all. You will also need dedication and persistence. Above all, be sure to pack your patience along with your camera and lenses.
Muhhammad Roem considers himself an “amateur” photographer, but you wouldn’t know that from looking at the incredible close-up images he shoots of insects and other critters.
British filmmaker John Downer has been capturing amazing footage of wildlife for years, but now he and his team at John Downer Productions have upped their game with the use of realistic robotic animals fitted with built-in spy cameras. As you can see from the video below it's all pretty amazing.
Shutterbug reader Bill Tiepelman captured this profile of a beautiful red-bellied woodpecker in his backyard in Wentzville, Missouri. An avid bird watcher, Tiepelman has on old swing set in his backyard that he repurposed into a bird sanctuary in an effort to “attract as many species as possible.”
It’s impossible to capture great images if your photos are consistently unsharp. There are several fixable issues that can result in soft photos, from faulty technique, incorrect camera settings, gear malfunction and more.
Attaining precise focus is essential for all types of images and it can be difficult to achieve, particularly when shooting moving subjects or scenes where you want maximum sharpness from foreground to background.