The Nikon Df is a retro-style SLR camera with a 16MP full-frame sensor. While other Nikon SLRs, such as the D4, are clearly aimed at the professional and enthusiast markets, with all the attendant features of modern D-SLRs, the Df is clearly a “classic” camera approach, intended for “purists.” That may be the reason why the Df offers no video capabilities, for example.
Do you own a point-and-shoot and want to step up your image potential? If you are inclined to agree with these queries you might consider the Nikon D3000.
When Nikon launched the all-new entry-level D3000, they took the time to freshen the D300 with—what else—video capability, adding the “s” suffix, as is their naming habit.
If you want to test the mettle of a camera intended to satisfy a craven need for speed, take that camera to a hockey game, one of the world’s fastest sports. That’s one of the tests to which I put the Nikon D3S, a brute of a camera that seems to adapt to any shooting or lighting conditions with ease. The D3S is the latest in Nikon’s pro line of D-SLRs, priced for pros (list:...
Nikon keeps cranking out new D-SLRs, most recently with the D3 and D300 (see Shutterbug reviews at www.shutterbug.com), and now, building on the great success with their amateur line-up of the D40 and D40X, the new D60. Sporting 10.2 megapixels (same as the D40X), the D60 has the lightweight and portable feel of the D40 series, with some extra tricks up its sleeve. Foregoing...
The Nikon D700 is the latest in what is clearly a continuing trend in so-called “full-frame” D-SLRs. Unless a radical departure from the classic 35mm form factor takes place, this class of camera cannot accommodate a larger sensor, at least in terms of area. The D700 does offer an (effective) 12.1-megapixel resolution, modest in terms of some of the competition, but also priced to...
Is it possible that one day we might be able to bypass basic, global in computer editing for our digital images, and rely instead on the powerful on-board microprocessors in future digital SLRs? That's the implication of some of the new features in Nikon's latest enthusiast-aimed camera, the D80. Priced at $999 (body only) list, with a kit including an 18-135mm...
The Olympus EVOLT E-330 is the first interchangeable lens digital SLR with a true, full-time Live View feature. Framing a shot with the E-330 is just as convenient as it is with a compact digital camera. You can preview the subject in full color on a flip-out, variable-angle LCD monitor, another first for a digital SLR camera.
The first Four Thirds format D-SLR with a built-in Image Stabilizer, the EVOLT E-510 is an incredibly versatile camera in many respects. This 10-megapixel model offers several benefits over the previous EVOLT models, including higher resolution, the faster TruePic III processor with superior noise reduction, plus additional features in Capture and Playback modes. But the new...
The second D-SLR from Panasonic, this 10-megapixel model is quite different than the original 7-megapixel Lumix DMC-L1. The latter--built like a tank, and still available--is an unusually traditional model in many respects. It resembles a large/heavy 35mm rangefinder camera and features "retro"-style controls, including a mechanical aperture ring on the...
The Pentax K-1 ($1,796.95) is the first full-frame (36x24mm) SLR from the company since it introduced the legendary LX film camera back in 1980. The Pentax K-1 has a 36.4-megapixel sensor that lacks an anti-aliasing filter to increase sharpness and image quality, a trendy feature these days. Pentax spins it differently by including an AA Filter Simulator that eliminates moiré without requiring a physical anti-aliasing filter.