Editor's Notes

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Editor's Notes
A Cautionary Tale From A Frequent Flyer Photographer
George Schaub  |  Sep 01, 2005  |  0 comments

The fellow running the curbside check-in at American Airlines out of LaGuardia seemed content with the tip, but not with the fact that we lingered until the bags went down the chute. This was New York, after all. From there it apparently went through many hands--the TSA (Transportation Security Administration), the baggage handlers at LaGuardia, the crew in Chicago where it...

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Editor's Notes
A Digital Camera Wish List
George Schaub  |  Apr 01, 2007  |  0 comments

Having worked with a fair share of digital cameras--both D-SLRs and digicams--I'd like to suggest some designs that might be appealing to many users. I am not being presumptuous, or even suggest that these ideas be adopted, but with so much technology there's no reason why we can't get customized cameras to match specific needs.

We...

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Editor's Notes
A Look Back . . . A Look Ahead
George Schaub  |  Dec 01, 2005  |  0 comments

For this issue we asked our contributors to take what they have learned from the last year, mix in a good dose of what they might have heard from peers and manufacturers about what's on the drawing board, and come up with some predictions about what we might expect in the year ahead. Their essays make for fascinating reading, with each contributor discussing an aspect of the...

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Editor's Notes
Art for Art’s Sake
Dan Havlik  |  Jul 14, 2015  |  0 comments
Fine Art photography can mean so many different things to so many different people, it’s almost impossible to define as a category. For starters, the subject matter can be wide-ranging: it can include landscapes, cityscapes, macros, wide angles, long exposures, abstracts, portraits, nudes, semi-nudes, black and whites, color photos, surreal photos, hyperreal photos, nature photos, and on and on and on. But while looking over the excellent group of entries from Shutterbug readers for this month’s Fine Art Photography assignment for Picture This! (page 16), I kept thinking to myself: art may be hard to define, but I do know it when I see it. Put simply, it’s beauty for beauty’s sake.
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Editor's Notes
Artificial Light: Natural Results
George Schaub  |  Nov 01, 2010  |  0 comments

You might think that with digital offering a unique ISO setting for every frame, and with the coordination of high ISO and sophisticated noise reduction software, that there would be less and less demand for and use of auxiliary lighting. Yet, use of flash, from built-in to ringlight to large portable battery packs and softbox location gear, has risen, and with it the potential for more finite...

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Editor's Notes
Back to the Future?
Dan Havlik  |  Jan 13, 2015  |  0 comments
What does the future hold? It’s a question that’s been pondered by philosophers, scientists, and dreamers through the ages. But accurately predicting the future is no easy task and, in fact, it’s been a fool’s errand for many. Take, for instance, the photo industry. It may be hard to believe, but just a little over a decade ago, there were still some major manufacturers banking on film to lead them through the years of digital disruption.
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Editor's Notes
Black & White, And A D-SLR Parade
George Schaub  |  Feb 01, 2009  |  0 comments

This issue might seem to have a slight touch of split direction, what with our annual tribute to black and white photography and a trio of new D-SLR reviews thrown in together. But that seeming contradiction is soon dispelled when you consider that the amazing interest in black and white has occurred at the same time as the rise in megapixel counts in cameras. More and more photographers are...

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Editor's Notes
Black And White Comeback (In Fact, It Never Left Town)
George Schaub  |  Feb 01, 2005  |  0 comments

Black and white photography has always held a special place in the hearts and minds of photographers. The charm of the medium is that it is so flexible in both technique and its ability to communicate many different moods and points of view. Consider the documentary photographer, who uses black and white to enclose images in a gritty realism that color somehow cannot match, or the...

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Editor's Notes
Black And White Is Back...Again
George Schaub  |  Feb 01, 2008  |  0 comments

Those who have been around for a while have to be amused by the occasional proclamation that another black and white renaissance has occurred. This pronouncement from industry wags is made every few years to usher in another glorious age for black and white photographers and printers. This time around the gushing is around new inkjet papers, dubbed "exhibition quality"...

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Editor's Notes
Buy A Photo Book Today!
George Schaub  |  Dec 01, 2010  |  0 comments

When the barbarians sacked an ancient city they often used the library as kindling, wiping out ancient knowledge and ages of historical texts and pretty much bringing on the Dark Ages. To hear some folks tell it, all a barbarian would need today is a powerful magnet applied to servers and hard drives. This would hardly seem to sate the appetite for pillage any good barbarian would practice, but...

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Editor's Notes
Camera Test Special
George Schaub  |  Jul 03, 2013  |  First Published: Jun 01, 2013  |  0 comments
There’s no question that camera makers have been busy of late. They’ve brought out many new models, some basically upgrades from previous models, but also those that blaze new trails in digital photography and camera design. Updates these days are often built around new tech developments or, more likely, the inclusion of some sort of sharing or Wi-Fi functionality.
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Editor's Notes
Camera Test Special
George Schaub  |  Aug 08, 2013  |  First Published: Jun 01, 2013  |  0 comments

There’s no question that camera makers have been busy of late. They’ve brought out many new models, some basically upgrades from previous models, but also those that blaze new trails in digital photography and camera design. Updates these days are often built around new tech developments or, more likely, the inclusion of some sort of sharing or Wi-Fi functionality.

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Editor's Notes
Changes Ahead For Image Sensors?
George Schaub  |  Aug 15, 2012  |  First Published: Jul 01, 2012  |  0 comments
For years we have been working with the “traditional” Bayer sensor and its concomitant pluses and minuses, but we might soon see a change in the capture devices we have in our cameras. In this issue, Christopher Dack covers the recent work by Fujifilm, with a new filter pattern, Sigma’s Foveon sensor, and the elimination of the low-pass filter in Nikon’s coming D800E camera. As you’ll see, these moves challenge conventional thinking about the sensor we have become accustomed to in our cameras.
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Editor's Notes
Changes Ahead For Image Sensors?
George Schaub  |  Nov 14, 2012  |  First Published: Oct 01, 2012  |  0 comments
While much has changed in the display and distribution of images you might like to sell, there’s no question that what has remained the same in making sales is first having work that’s marketable and then catching a few breaks to get the work sold. While the following may sound like I’m telling old tales, I thought relating how I got my first ever stock sales might give an indication of what it takes to get into the marketplace and start having your images pay some of the rent.
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Editor's Notes
Coming Down The Pike: Changes Ahead In The Photo/Imaging World
George Schaub  |  Jun 12, 2012  |  First Published: May 01, 2012  |  0 comments
One of our feature stories this month, Jason Schneider’s “The Shape of (Digital) Things to Come,” got me thinking about just what might be ahead in the ever-changing world of photography. In the past few years we’ve seen pretty much variations on the theme, with every feature manufacturers can think of being added to digital cameras. We’ve seen GPS, more in-camera processing options, in-camera HDR and tone curve control, and of course the update of virtually every camera line to incorporate HD video. All of this is to the good, but only if it gets you where you need to go.
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