We’ve all captured photos that would be truly outstanding, other than the fact that colors are way off. That’s sort of like saying you’d be a great dancer if you didn’t have bad legs.
Attaining precise focus is essential for all types of images and it can be difficult to achieve, particularly when shooting moving subjects or scenes where you want maximum sharpness from foreground to background.
Every so often it’s fun to add a bit of artistic flair to create an eye-catching image. In the tutorial below you’ll see how quick and easy this is to do in Photoshop.
Every so often we capture a photo with an unsightly colorcast, like when shooting performances with strong, colored stage lighting. There are numerous other situations in which harsh supplemental light obliterates the original colors of a subject.
It’s not often we have access to an upcoming lecture, but that’s what you’ll find in the tutorial below, explaining how to get started using Lightroom’s powerful Tone Curve for more effective edits.
Sometimes the outdoor images we make don’t look as remarkable on the computer as they did through the viewfinder. In some cases that’s due to challenging light, while other times the problem is incorrect exposure or other camera settings.
Last year around this time we featured a Photoshop tutorial explaining how make daytime photos appear as though they were shot at night. In the video below you’ll learn a different day-for-night transformation, this time creating a beguiling night vision look.
There are numerous way to render outdoor scenes during the editing process, depending upon the subject. Sometimes your goal is maximum depth of field throughout the frame, while other times a soft background blur will separate an important foreground object from a cluttered background.
Let’s face it: Adobe’s Lightroom is a terribly confusing program. So, there’s no shame in making a few mistakes when working on your images in Lightroom, especially if you’re a beginner.
Are you familiar with Lightroom’s easy-to-use Camera Calibration capability? If not, after watching the video below it just may become your best friend.
Have you every shot a portrait that looked really great, except for a bunch of flyaway hair? Removing these distractions can be a difficult task—unless you know the quick Photoshop trick in the video below.
Sunsets and sunrises are perhaps the most popular scenes among landscape photographers. Unfortunately, though, sometimes the resulting images don’t look quite as awe-inspiring on the computer as they did through the viewfinder.
Shooting photos at sundown doesn’t always go as planned. Sometimes you get the timing wrong and sometimes the sky and, more critically, the light doesn’t cooperate.
Every so often when you attempt to open an image, Photoshop gives you an “Embedded Profile Mismatch” warning. If you’re unsure what this means and how to deal with it, the following tutorial will set you straight.
There are numerous reasons for removing unwanted objects from a photo, including the proverbial telephone pole emanating from a person’s head. In other instances the goal may be eliminate an object that either crowds the image or is too close to one edge of the frame.