Capturing photos with a correct perspective can be a difficult task, whether you’re photographing landscapes in the field or shooting in town on the street. Sometimes our brain “auto-corrects” these anomalies for us, but the camera doesn’t see things the same way as our eyes.
According to one image-editing expert, “The more troubleshooting I do for folks in Lightroom, the more I realize that a lot of problems stem from how the photos are imported into Lightroom.” The quick tutorial below explains three “best practices” for getting the job right.
There’s an amazing new image-editing feature that many photographers have been awaiting for years; namely the ability to integrate Lightroom and Photoshop. The quick tutorial below from the Photoshop Café YouTube channel explains how it works.
Today we’re bringing you the latest installment of a very popular Lightroom Masterclass series from the PHLOG Photography YouTube channel. Each episode covers the basics of a single, important task for photographers of all skills levels.
Luminar Neo is rapidly gaining popularity as a full-featured alternative to Photoshop and Lightroom. It’s affordable, has a myriad of powerful tools, and is easy to use thanks to its intuitive interface,
Photoshop’s Luminosity Masks and Blend-in tools are similar and often used to accomplish the same tasks, and photographers often confuse the two methods and wonder when they should use one over the other. The quick tutorial below answers that question so you can make the right choice when editing your work.
The Orton Glow effect is popular among landscape photographers for giving images a dreamy, ethereal look that really stands out from the crowd. There are a number of ways to get the job done—some more complicated than others.
There’s a vast array of plugins from third-party vendors for augmenting the capabilities of whatever image-editing software you use. In the tutorial below you’ll discover what one expert calls “the best” choice for both Lightroom and Photoshop.
Lightroom Classic includes a selection of interesting built-in presets allowing you to quickly achieve a variety of effects. You can also purchase a wide array of others from outside sources and easily install them within Lightroom’s Develop Module.
Earlier this week we featured an easy five-minute fix for poorly exposed photos using Layer Masks in Lightroom. But that simple task provided just a taste of what these powerful tools can do.
Many of use would love to pursue a career as a professional photographer, but lack the necessary skills, means, experience and gear to make that dream a reality. But that doesn’t mean we can’t aspire to create pro-quality images.
Photographing our feathered friends can be difficult for those new to the game, and editing the results can be equally challenging if you’re not confident about your post-processing skills. If your past results are disappointing, the tutorial below will be a big help.
There are numerous ways to edit b&w images depending upon the look you’re trying to create. Sometimes the goal is a soft, moody effect, while other times you want a photo to jump off the page. The tutorial below is geared toward the latter, explaining how to use two “hidden” Photoshop filters for achieving eye-popping results.
Lightroom masks are very effective for quickly fixing photos that are improperly exposed, like when some areas in the scene are too dark or too bright, or perhaps even both when shooting in mixed light.
Over the past several weeks we’ve been bringing you helpful tutorials from an amazing free Lightroom Masterclass presented by the PHLOG Photography YouTube channel. Today is Part 6 in the series, and covers all the basics of Color Grading using split Toning.