Lens Reviews

Sort By: Post Date | Title | Publish Date
George Schaub  |  Aug 01, 2008  |  0 comments

If you ever want a unique point of view try a "fisheye" lens. Like looking through a door peephole (which in fact is a "fisheye" type) this order of lens sacrifices linear correction in favor of a very wide angle of view. Originally made for creating "full sky" images when pointed straight up, they had long ago been adopted by photographers for...

George Schaub  |  Jul 24, 2008  |  First Published: Jul 30, 2008  |  0 comments

The Sigma APO 150-50mm lens is a moderately fast, super-telephoto zoom designed to work with both APS-C and full-frame DSLR cameras. It offers quite useful close focusing (7.2 ft) and two modes of what they deem "optical stabilization" (OS.) Weighing in at 67.4 oz you always know its there, but then again this is one impressive piece of...

Jack Neubart  |  May 01, 2008  |  0 comments

The expansive coverage of a 14mm lens may be more than you think you need. But you'd be surprised to discover that it reveals a world of possibilities that might otherwise escape you. While it certainly is ideal when shooting in open country, a super-wide lens can do wonders in tight quarters. To check out this lens, and along the way explore the potential of this focal...

Roger W. Hicks  |  Apr 01, 2008  |  0 comments

What is the appeal of "retro" photography? I mean, surely, hasn't everyone "gone digital" nowadays? And equally surely, wouldn't you admit that the three new ZV Classic lenses from Zeiss, for traditional Hasselblads, are as retro as they come?
The answer is no, on both counts.

 

First, film has no more been killed by digital than...

Peter K. Burian  |  Apr 01, 2008  |  1 comments

Tamron's various 28-300mm "ultra" zooms have been best sellers since their first model of this type was introduced in 1999. Each subsequent version featured improvements and this latest "4th generation" product is the most desirable to date, since it includes a Vibration Compensation stabilizer aside from a wealth of advanced optical technology. A...

Jon Sienkiewicz  |  Apr 01, 2008  |  0 comments

Now that you've mastered the standard zoom lens that came with your D-SLR, you have to be asking yourself "what's next?" You bought a D-SLR instead of a compact camera so that you could change lenses. The question is: which lens to buy first? The answer is easy, but it all depends on what kind of pictures you like to take.

 

...

Peter K. Burian  |  Dec 01, 2007  |  0 comments

Although Sigma released their first lens with a built-in Optical Stabilizer (OS) system in the spring of 2004, the company employed this technology in only one pro-grade lens, the 80-400mm f/4.5-5.6. That has changed with the introduction of a more compact/affordable (digital-only) 18-200mm OS zoom. Sigma will not comment about future plans, but a reliable source indicates that...

Steve Anchell  |  Nov 01, 2007  |  0 comments

If photography is your pastime, you can afford to indulge in toys. If it is your occupation you tend to be more selective about what you spend your money on; toys are an extravagance--you couldn't afford 'em when you were struggling, and you don't need 'em now that you have a client base which likes your style.

But what if a toy is also...

Peter K. Burian  |  Aug 01, 2007  |  0 comments

Although Tamron makes some wide aperture, pro-grade lenses, the affordable "multi-platform" 28-300mm zoom and the "digital only" 18-200mm zoom have been their best sellers. That's understandable, since those are unusually versatile and portable lenses. Now, Tamron is marketing a newer 18-250mm Di II model, the first lens on the market with a 13.9x...

Peter K. Burian  |  Aug 01, 2007  |  0 comments

When Sony first unveiled their Alpha D-SLR system in June 2006, the company made a pledge to expand its line of lenses with additional Sony G models as well as some Carl Zeiss lenses. The first three of these products, with a ZA designator indicating Zeiss Alpha, are available at this time, distributed exclusively by Sony. A fourth model, a wide aperture (f/2.8) zoom, should be...

Peter K. Burian  |  Aug 01, 2007  |  0 comments

Because most consumers demand very compact, lightweight equipment, the majority of lenses are designed with a relatively small aperture: f/4 to f/5.6, for example. That makes sense because the same focal length with a wide aperture would be larger, heavier, and more expensive due to the oversized optical elements and barrel. Even so, many photo enthusiasts really appreciate an...

Roger W. Hicks  |  Aug 01, 2007  |  0 comments

"My" Leica M8--a loaner from Leica for review--came with a 50mm f/2 bar-coded Summicron. The 18x27mm sensor turns this into a 67mm lens in 35mm terms: rather long for someone whose standard lens on 35mm has for decades been a 35mm. So as soon as I got the M8, I started using other, older lenses. There is, after all, an enormous choice, from 12mm (18mm...

Joe Farace  |  Aug 01, 2007  |  0 comments

At PMA 2007 Lensbabies introduced the medium format version of its third-generation selective focus lens for Mamiya 645 and Pentax 67 cameras. That's right kiddies, it's a new lens that's engineered for use with medium format film (remember that stuff?) cameras.

The optic in the Medium Format Lensbaby 3G produces the same effects as the optic in...

Steve Bedell  |  Jun 01, 2007  |  1 comments

Technical Specifications

 

Lens Construction: 18 Elements in 14 Groups
Angle of View: 27.9 ° - 9.5 °
Number of Diaphragm Blades: 9 Blades
Minimum Aperture: F22
Minimum Focusing Distance: 100cm / 39.4 inches
Maximum Magnification:...

Steve Bedell  |  Jun 01, 2007  |  0 comments

I 've been shooting most of my portrait work with a 28-75mm zoom, but always felt I could use something longer. And I'm about at the point where fixed focal length lenses just won't do; once you get used to the flexibility of a zoom, you're spoiled. I also like a fast lens with a relatively wide maximum aperture, as I like to get way out-of-focus...

Pages

X