What is the best lens for portrait photography? This is a debate that has raged through the ages amongst photographers. There are quite a few focal lengths and apertures that are the favorites for shooting portraits, but many photographers agree that prime lenses are the way to go.
Spring is in full bloom, with summer barely a month away, and it’s time to pull out the macro lens, brush up on your technique, and start thinking about close-up
The Canon RF 50mm F/1.2L USM lens retails for about $2200 while the RF 50mm F/1.8 STM lens sells for just $200. So, what's the difference between these two 50mm lenses aside from about $2K? A lot, according to Jay P Morgan of the Slanted Lens who pits the two optics against each other in a head-to-head shootout in the video below.
Before I answer the question above, a few words about the kinds of pictures I like to take. Simply, they are pictures that are different—different from what others might be shooting at a particular location, even different from what I might have shot at that location the last time I visited.
Spring is here and summer is right around the corner, which means it's a great time to go out and take photos. Whether you're capturing gorgeous landscapes, close-up macros of flowers and insects, or zoomed in shots of wildlife, the warmer weather and beautiful light provide many picture-taking opportunities.
Hands on with a Hasselblad X1D II 50C medium format mirrorless camera, Hasselblad 24mm f/4.8 HCD wideangle lens and the enigmatic Hasselblad XH Converter 0,8. Does this change our attitude toward converter lenses? Continue reading to find out.
Recently we shared with you what one professional photographer called the best camera for boudoir beginners. Now here's another boudoir pro recommending what she says is the best lens for capturing intimate portraits.
7Artisans just released the updated Mark II version of their popular 7.5mm f/2.8 Fisheye lens and it’s about the most fun a photographer can have for $139. We borrowed an early sample in Fujifilm X mount and here’s what we discovered.
We all love new gear, and many photographers are constantly chasing the latest innovations in cameras, lenses, and accessories. But in many cases you can capture amazing images with the gear you already own, especially if you refine your skills with a few simple tricks.
Conventional wisdom is that landscape photography calls for wide-angle lenses. Another “rule” is that if you shoot with long lenses a tripod is absolutely essential. But this quick tutorial takes a somewhat radical approach that you may find surprising.
Tamron just announced the world’s first f/2.8 lens in the 17-70mm zoom range for Sony mirrorless cameras. Focusing as close as 7.5 inches and measuring just 4.7-inches long, the new zoom features advanced image stabilization that is AI-enhanced when shooting video. We tested the Tamron 17-70mm f/2.8 on Sony cameras with APS-C sensors and with Full Frame sensors. Here is what we found.
One question we’re frequently asked is, “Should I buy a zoom lens or a prime?” And like many age-old questions, the answer is “It depends.” To give you thoughtful response we’d want to know your budget, the type of photography you do, whether or not you frequently shoot in low-light conditions, and how much gear you’re willing to lug around in the field.
One of the hardest things for beginners to understand in landscape photography is picking the right aperture. The main reason aperture selection is so confusing for newbies is that there are two schools of thought when it comes to composition, landscape pro Mark Denney explains in the below video.
Last week we discussed the basics of depth of field, a key concept enabling you to capture better images. Today we’ll explore the topic further, through the eyes of an experienced pro.
Over the years I have worked with hundreds of musicians and captured thousands of photos. While each performance is different, there are five tips that you can follow to make sure you leave with great, portfolio-worthy photos at your next concert.