DSLR News

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Joe Farace  |  Apr 01, 2011  |  3 comments

The Nikon D3100 ups the D3000’s megapixel ante from 10.2 megapixels to 14.2, adds Live View, video capture, and support for all functions of AI-P Nikkor lenses except autofocus and 3D Color Matrix Metering II.

Joe Farace  |  Feb 01, 2011  |  2 comments

When it was launched in October 2007, the E-3 broke new ground. It wasn’t a me-too SLR; it carried the Four Thirds format into new directions that were uniquely Olympus.

George Schaub  |  Feb 01, 2011  |  1 comments

No, that’s not a typo—the “T” in the acronym refers to the new mirror system in the Sony alpha a55 and stands for “translucent.”...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  1 comments

The weirdest camera at the show, the GFAE, wasn’t even recognizable as a camera, not least because it was a view camera with the bellows left out in order to show its construction more clearly. We’ll come back to it later, but first, let’s look at some more conventional offerings.

George Schaub  |  Jan 01, 2011  |  0 comments

Our show report this year is an amalgam of product news and trend spotting, which pretty much reflects what photokina has stood for in our minds. The sense of a United Nations of photography still prevails at this increasingly European-directed show, but the image and its uses is still the universal tie that binds.

Joe Farace  |  Sep 01, 2010  |  2 comments

If you look at Canon’s website you’ll notice that the 18-megapixel EOS Rebel T2i sits between the EOS 50D and the price-point EOS Rebel XS, the latter being a camera I tried and disliked intensely.

Jack Neubart  |  Jul 01, 2010  |  1 comments

Until now I thought I’d experienced practically every flavor of geotagging device on the planet (“Geotagging Devices And Software: Now You’ll Always Know Where You Took That Picture,” Shutterbug, May 2009). So when I was later introduced to Foolography at a trade exposition, I didn’t pay too much attention to their new Unleashed. Until they offered to send a test...

Joe Farace  |  Jun 01, 2010  |  0 comments

“Of all of our inventions for mass communication, pictures still speak the most universally understood language.”—Walt Disney

 

It’s a photokina year and you know what that means; all of the camera manufacturers will be holding off their newest SLRs for launch at the big show in Germany this fall. While Canon was not at PMA, they officially launched the EOS-1D Mark IV...

George Schaub  |  May 01, 2010  |  1 comments

The Sony Alpha A550 (with kit 18-55mm lens, $1049 list; body only, $949 list) takes us another step forward with in camera processing of HDR and DRO functions. While these items, to me, are the headliners for this camera, other camera amenities add to its allure. These include an articulating monitor, two Live View modes, very good high ISO results, a fast 5 fps (frames per second) shooting rate...

George Schaub  |  May 01, 2010  |  2 comments

If you want to test the mettle of a camera intended to satisfy a craven need for speed, take that camera to a hockey game, one of the world’s fastest sports. That’s one of the tests to which I put the Nikon D3S, a brute of a camera that seems to adapt to any shooting or lighting conditions with ease. The D3S is the latest in Nikon’s pro line of D-SLRs, priced for pros (list:...

Joe Farace  |  May 01, 2010  |  1 comments

The new 1D Mark IV is a step up the evolutionary ladder from EOS Erectus, going where all SLRs are heading these days—High-Definition (HD) video capture.

 

Video aside, in today’s D-SLR world a $5000 16-megapixel camera might not seem like such a big deal, especially when the 18-megapixel EOS 7D, also with video capture, sells for $1699. The 1D...

Joe Farace  |  Mar 01, 2010  |  0 comments

The new EOS 7D fills a gap in Canon’s D-SLR line-up that never existed before, fitting somewhere between the EOS 5D Mark II and EOS 50D; it also goes head-to-head with the Nikon 300S I tested for the January 2010 issue of Shutterbug.

George Schaub  |  Feb 01, 2010  |  0 comments

Do you own a point-and-shoot and want to step up your image potential? If you are inclined to agree with these queries you might consider the Nikon D3000.

George Schaub  |  Jan 01, 2010  |  1 comments

Much has been made of the difference in image quality between so-called full-frame and APS-C-sized sensors.

Joe Farace  |  Jan 01, 2010  |  0 comments

When Nikon launched the all-new entry-level D3000, they took the time to freshen the D300 with—what else—video capability, adding the “s” suffix, as is their naming habit.

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