Digital Darkroom

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Cris Daniels  |  Nov 01, 2004  |  0 comments

MonacoOPTIXXR
Quick Look
· Simple USB 1.1 Connection
· $299 -- $429
· Mac OS X & Windows

Further Information
MonacoOPTIXXR
http://www.ezcolor.com"...

Howard Millard  |  Nov 01, 2004  |  0 comments

Could your portraits be enhanced by the mysterious, otherworldly glow of a black and white infrared (IR) effect? In the past, pre-digital darkroom, the only way you could get the IR look was shooting special IR film, quite a challenge to expose, process, and print correctly. Working digitally you can avoid many of the pitfalls and gain...

Jon Canfield  |  Nov 01, 2004  |  0 comments

This month I'm going to focus on optimizing your digital images for display on the web. The biggest challenge most photographers face is creating a good print, but web display can be just as challenging and has its own unique set of needs. Images shown on the web or in e-mail need to find a balance between the size and the quality of...

David B. Brooks  |  Sep 01, 2004  |  0 comments

Unlike film cameras, digital does not capture a likeness of the subject on a "physical artifact," like a film negative or slide. A digital camera just gathers information that describes what the lens and sensor...

Howard Millard  |  Sep 01, 2004  |  0 comments

It was the swinging `60s, I was in college, and many wore a rainbow of tie-dyed colors. What had been "normal" was being challenged on every front, and that included photography. The bulging, startling...

Peter K. Burian  |  Sep 01, 2004  |  0 comments

Whether you shoot with a digital camera or scan photographs, printing can be one of the most rewarding aspects of photography. In the past, you needed a darkroom and a great deal of expertise to make beautiful color or black...

Peter K. Burian  |  Sep 01, 2004  |  0 comments

One of the most frustrating aspects of the digital darkroom is getting prints that closely resemble the images that we see on a computer monitor. Are your own prints as impressive as the images in the electronic display? Are they "clean," or do...

Jon Canfield  |  Sep 01, 2004  |  0 comments

Hello, and welcome to Output Options. In this column, I'll be covering issues and topics related to how you can get the most from your images after you've made the pictures and have downloaded them into your computer. Whether you need information...

Paul Mozell  |  Sep 01, 2004  |  1 comments

Very few people would dare to ask this question, "Is digital better than film?" just a few years ago when the only cameras that could produce a digital file with qualities that approached film's capabilities cost in the neighborhood
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Joe Farace  |  Sep 01, 2004  |  0 comments

Editor's Note: This month starts a new column here at eDigitalPhoto from Joe Farace. Loyal readers of the magazine will know that Joe has been doing the Buzzwords here each month, and...

Tony Sweet  |  Jul 01, 2004  |  0 comments

Warming Effect
The filter that I use the most, by far, is the warming filter. It is used primarily in overcast light or in shade to remove the inherent blue or cold light from such scenes. As a result, an amber or warm tonality is added to the scene.

Here is...

Darryl C. Nicholas  |  Jul 01, 2004  |  0 comments

The new Photoshop CS has a greatly expanded Filter section. One of the new filter options is called Filter Gallery. The Filter Gallery is so extensive it just boggles the mind! In order to give you a little introduction into this feature-rich area of...

Howard Millard  |  Jun 01, 2004  |  0 comments

Are you looking for a way to make your digital photos really stand out? Starting with one of your existing color shots, here's a great way to create a dynamic new image that will really catch your viewer's eye. By combining a black and white...

Rick Sammon  |  Jun 01, 2004  |  0 comments

Thanks to image-editing programs, turning soft shots into sharp shots is relatively easy. I do it all the time!

In this article, I'd like to share with you some of my tips and tricks for sharpening pictures. I use Adobe Photoshop...

Darryl C. Nicholas  |  May 01, 2004  |  0 comments

Of all the new tools in Photoshop CS, the one that I have heard the least about is the Shadow/Highlight tool. And, yet, for photographers, it is an extremely useful tool. Think of it as an alternate method for the Curves tool, one that often gives people...

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